LEADER 03989nam 2200745 a 450 001 9910809411903321 005 20200520144314.0 010 $a0-8232-5462-3 010 $a0-8232-6097-6 010 $a0-8232-5463-1 024 7 $a10.1515/9780823254620 035 $a(CKB)2670000000418088 035 $a(EBL)3239839 035 $a(SSID)ssj0000980953 035 $a(PQKBManifestationID)11561059 035 $a(PQKBTitleCode)TC0000980953 035 $a(PQKBWorkID)10968898 035 $a(PQKB)11722198 035 $a(StDuBDS)EDZ0000292616 035 $a(MiAaPQ)EBC3239839 035 $a(OCoLC)859159682 035 $a(MdBmJHUP)muse27561 035 $a(DE-B1597)555182 035 $a(DE-B1597)9780823254620 035 $a(Au-PeEL)EBL3239839 035 $a(CaPaEBR)ebr10747394 035 $a(MiAaPQ)EBC1643954 035 $a(Au-PeEL)EBL1643954 035 $a(CaONFJC)MIL818156 035 $a(MiAaPQ)EBC30787956 035 $a(Au-PeEL)EBL30787956 035 $a(EXLCZ)992670000000418088 100 $a20130617d2013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFreud and the scene of trauma /$fJohn Fletcher 205 $a1st ed. 210 $aNew York $cFordham University Press$d2013 215 $a1 online resource (383 p.) 300 $aDescription based upon print version of record. 311 $a0-8232-5460-7 311 $a0-8232-5459-3 320 $aIncludes bibliographical references and index. 327 $aCharcot's hysteria : trauma and the hysterical attack -- Freud's hysteria : "scenes of passionate movement" -- The afterwardsness of trauma and the theory of seduction -- Memory and the key of fantasy -- The scenography of trauma : Oedipus as tragedy and complex -- Leonardo's screen memory -- Flying and painting : Leonardo's rival sublimations -- The transference and its prototypes -- The wolf man I : constructing the primal scene -- The wolf man II : interpreting the primal scene -- Trauma and the genealogy of the death drive -- Uncanny repetitions : Freud, Hoffmann, and the death-work. 330 $aThis book argues that Freud?s mapping of trauma as a scene is central to both his clinical interpretation of his patients? symptoms and his construction of successive theoretical models and concepts to explain the power of such scenes in his patients? lives. This attention to the scenic form of trauma and its power in determining symptoms leads to Freud?s break from the neurological model of trauma he inherited from Charcot. It also helps to explain the affinity that Freud and many since him have felt between psychoanalysis and literature (and artistic production more generally), and the privileged role of literature at certain turning points in the development of his thought. It is Freud?s scenography of trauma and fantasy that speaks to the student of literature and painting.Overall, the book develops the thesis of Jean Laplanche that in Freud?s shift from a traumatic to a developmental model, along with the undoubted gains embodied in the theory of infantile sexuality, there were crucial losses: specifically, the recognition of the role of the adult other and the traumatic encounter with adult sexuality that is entailed in the ordinary nurture and formation of the infantile subject. 606 $aFreudian theory$xHistory 606 $aMedicine in art 606 $aMedicine in literature 606 $aPost-traumatic stress disorder$xPsychology 615 0$aFreudian theory$xHistory. 615 0$aMedicine in art. 615 0$aMedicine in literature. 615 0$aPost-traumatic stress disorder$xPsychology. 676 $a616.85/24 700 $aFletcher$b John$f1948 January 2-$01724801 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910809411903321 996 $aFreud and the scene of trauma$94127156 997 $aUNINA