LEADER 05041nam 2200649Ia 450 001 9910809368503321 005 20240516213734.0 010 $a1-283-52405-8 010 $a9786613836502 010 $a1-61703-299-9 035 $a(CKB)2670000000234659 035 $a(EBL)989835 035 $a(OCoLC)774024201 035 $a(SSID)ssj0000701129 035 $a(PQKBManifestationID)11406366 035 $a(PQKBTitleCode)TC0000701129 035 $a(PQKBWorkID)10673634 035 $a(PQKB)10978711 035 $a(MiAaPQ)EBC989835 035 $a(Au-PeEL)EBL989835 035 $a(CaPaEBR)ebr10589852 035 $a(CaONFJC)MIL383650 035 $a(OCoLC)1153055216 035 $a(MdBmJHUP)musev2_95156 035 $a(EXLCZ)992670000000234659 100 $a20120123d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aD. W. Griffith$b[electronic resource] $einterviews /$fedited by Anthony Slide 205 $a1st ed. 210 $aJackson $cUniversity Press of Mississippi$d2012 215 $a1 online resource (263 p.) 225 0 $aConversations with filmmakers series 300 $aIncludes filmography and index. 311 $a1-61703-298-0 320 $aIncludes bibliographical references, filmography and index. 327 $aCover; Contents; Introduction; Chronology; Filmography; At the Sign of the Flaming Arcs; David W. Griffith Speaks; A Poet Who Writes on Motion Picture Films; Editorials in Films; D. W. Griffith Answers Two Vital Questions; D. W. Griffith Producer of the World's Biggest Picture; Five Dollar Movies Prophesied; Interviews with Prominent Directors: "And the Greatest of These Is"- David W. Griffith; The Story of David Wark Griffith: Part One; The Story of David Wark Griffith: Part Two; The Story of David Wark Griffith: Part Three; The Story of David Wark Griffith: Part Four 327 $aThe Story of David Wark Griffith: Part FiveThe Real Story of Intolerance; The Making of a Masterpiece; The Film World's Greatest Achievement; D. W. Griffith Champions England's Natural Light; Took Scenes in the Trenches; Griffith Returns from the Front with Official Pictures Made under Fire- Will Use Them in a Film Spectacle of War; Griffith-and the Great War; Griffith, Maker of Battle Scenes, Sees Real War; Pictures and Projectiles; Life and the Photodrama; How Griffith Picks His Leading Women; Humanity's Language; Griffith Points Out Need of Tragedy on the Screen; Likes San Francisco 327 $aThe Poet-Philosopher of the PhotoplayExhibitor Is a Co-Artist, Says D. W. Griffith, Returns from Los Angeles to Open Eastern Studio; The Filming of Way Down East; The Moral and the Immoral Photoplay; The Greatest Moving Picture Producer in the World; Griffith Reveals Sartorial Secrets; D. W. Griffith's Screen Version of The Two Orphans Would Fill Its Author with Awe; An Intimate Closeup of D. W. Griffith; Griffith: Maker of Pictures; The Genius of a Masterpiece; Griffith Film Stirs Anger of Parisians; Stereoscopic Films; In and Out of Focus: D. W. Griffith; What Are the Chances of a Beginner 327 $aD. W. Griffith Is Struggling to Pay His DebtsHow Do You Like the Show?; Don't Blame the Movies! Blame Life!; He Might Be the Richest Man in the World; His Best Pictures Were the Least Expensive, Says "D. W."; D. W. Griffith Addresses the Academy of Motion Picture Arts and Sciences; Walter Huston Interviews D. W. Griffith; David Wark Griffith Tells 'Em; The Star-Maker Whose Dreams Turned to Dust; Film Master Is Not Proud of Films: "They Do Not Endure"; D. W. Griffith Tells Plans Which Include Picture Making; Return of a Master; Griffith Back to Live Here "for Half Century" 327 $a"Cinema's Fullest Scope Still Ahead"-D. W. GriffithForty-Seven Questions from Seymour Stern to D. W. Griffith; Flash-Back to Griffith; The Writings of D. W. Griffith; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W 330 $aD. W. Griffith (1875-1948) is one of the most influential figures in the history of the motion picture. As director of The Birth of a Nation, he is also one of the most controversial. He raised the cinema to a new level of art, entertainment, and innovation, and at the same time he illustrated, for the first time, its potential to influence an audience and propagandize a cause. Collected together here are virtually all of the ""interviews"" given by D. W. Griffith from the first in 1914 to the last in 1948. Some of the interviews concentrate on specific films, including The Birth of a Nation, 410 0$aConversations with Filmmakers Series 606 $aMotion picture producers and directors$zUnited States$vInterviews 615 0$aMotion picture producers and directors 676 $a791.4302/33092 701 $aSlide$b Anthony$0457503 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910809368503321 996 $aD. W. Griffith$94039513 997 $aUNINA