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100   $a20040520d2011----|0itac50 ba
101   $aita
102   $aIT
200 1 $aTigre, tigre$fMargaux Fragoso$gtraduzione di Valeria Galassi
210   $aMilano$cMondadori$d2011
215   $a364 p.$d23 cm.
330   $aQuesto libro racconta una storia di pedofilia. Una storia vera, scritta dalla protagonista e vittima, Margaux Fragoso, che con sofferto coraggio, con onestą e con uno sguardo incredibilmente lucido, affronta a quindici anni di distanza i momenti pił cupi della sua vita. E ci mostra, in un racconto che trova la sua forza anche negli strumenti della letteratura, come un pedofilo agisce "nascosto in piena luce" per impadronirsi della vita di un innocente e rubargli l'infanzia
410  0$1001000328377$12001$aScrittori italiani e stranieri
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702  1$aGALASSI,$bValeria
801  3$aIT$bICCU$c20111220
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951   $aVI.3. Coll. 7/ 153$b5537 L.G.$cVI.3. Coll. 7$d00267090
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979   $aPATRY$b90$c20120208$lUSA01$h1141
996   $aTigre, tigre$9941317
997   $aUNISA

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010   $a1-4985-2060-X
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100   $a20160412h20162016  uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aChina reinterpreted $estaging the Other in Muromachi noh theater /$fLeo Shingchi Yip
210  1$aLanham, Maryland :$cLexington Books,$d2016.
210  4$d©2016
215   $a1 online resource (231 p.)
300   $aDescription based upon print version of record.
311   $a1-4985-2058-8 
320   $aIncludes bibliographical references and index.
327   $aContents; Acknowledgments; Introduction; Chapter One: The "Auspicious Other"; Chapter Two: The "Sympathized Other" and the "Distanced Self"; Chapter Three: The "Exotic Other"; Chapter Four: The "Destructive Other"; Chapter Five: The "Harmonious Other" and the "United Self"; Conclusion; Appendix 1; Appendix 2; Bibliography; Index; About the Author
330   $aThis book is a comprehensive study of Chinese figures and motifs in medieval Japanese noh theater. It explores the images of China and their implications constructed in the so-called "karagoto-mono" (Chinese plays) that reflect the artistic preferences, as well as the cultural and sociopolitical sentiments towards China held by Muromachi noh artists and audiences.
606   $aNo?
606   $aNo? plays$xHistory and criticism$xChinese influences
606   $aOther (Philosophy) in literature
606   $aTheater$zJapan$xHistory$y15th century
615  0$aNo?.
615  0$aNo? plays$xHistory and criticism$xChinese influences.
615  0$aOther (Philosophy) in literature.
615  0$aTheater$xHistory
676   $a792.0952
700   $aYip$b Leo Shingchi$01715003
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910809355403321
996   $aChina reinterpreted$94109256
997   $aUNINA