LEADER 03244nam 2200709Ia 450 001 9910809211803321 005 20200520144314.0 010 $a1-136-08994-2 010 $a0-203-03607-7 010 $a1-283-83875-3 010 $a1-136-08986-1 024 7 $a10.4324/9780203036075 035 $a(CKB)2670000000298498 035 $a(EBL)1074552 035 $a(OCoLC)819635685 035 $a(SSID)ssj0000810786 035 $a(PQKBManifestationID)11515058 035 $a(PQKBTitleCode)TC0000810786 035 $a(PQKBWorkID)10833348 035 $a(PQKB)10005133 035 $a(MiAaPQ)EBC1074552 035 $a(Au-PeEL)EBL1074552 035 $a(CaPaEBR)ebr10630244 035 $a(CaONFJC)MIL415125 035 $a(OCoLC)822999424 035 $a(FINmELB)ELB136573 035 $a(EXLCZ)992670000000298498 100 $a20050829d2005 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe digital film event /$fTrinh T. Minh-ha 210 $aNew York $cRoutledge$d2005 215 $a1 online resource (239 p.) 300 $aDescription based upon print version of record. 311 $a0-415-97225-6 311 $a0-415-97224-8 320 $aIncludes filmography: p. [ix]. 327 $aCover; THE DIGITAL FILM EVENT; Copyright; CONTENTS; ACKNOWLEDGMENTS; ILLUSTRATIONS, FILMOGRAPHY AND DISTRIBUTION; PART I TECHNOLOGY'S RITUALS; STILL SPEED; TIMESURFING; THE CYBORG'S HAND: CARE OR CONTROL?; WHEN THE EYE FRAMES RED; TIME PATHS; PART II THE FOURTH DIMENSION; FILMSCRIPT; PART III JAPAN: Alterity and the Image Effect; "WHY THE FORM COUNTS": OF HOST AND GUEST; INAPPROPRIATE/D ARTIFICIALITY; TRAVELING (IN) TIME; THE DOOR OF RHYTHM; IS FEMINISM DEAD?; PART IV INSTALLATIONS; NOTHING BUT WAYS: Installation; THE PAGE SCREEN CANVAS 327 $aSECESSION EXHIBITION: VIENNA, AUSTRIA, MARCH 8-APRIL 22, 2001BETWEEN TWO; THE DESERT IS WATCHING 330 $aEndless travel in cyberspace, virtual reality, and the dream of limitless speed: technology changes our sense of self. In her new book, Trinh Minh-ha explores the way technology transforms our perception of reality. ""We are all engaged in social rituals in our daily activities, she writes, ""and by remaining unaware of their artistic ritual propensity, we remain 'in conformity'."" Her goal, as a thinker and an artist, is to transform our understanding of technology and speed so that we are able to ""turn an instrument into a creative tool and to step out of the one-dimensional, techn 606 $aDigital cinematography 606 $aMotion pictures$xPhilosophy 606 $aTechnology$xPsychological aspects 606 $aTechnology$xSocial aspects 615 0$aDigital cinematography. 615 0$aMotion pictures$xPhilosophy. 615 0$aTechnology$xPsychological aspects. 615 0$aTechnology$xSocial aspects. 676 $a302.231 676 $a791.43/0233/092 676 $a791.430233092 700 $aTrinh$b T. Minh-Ha$g(Thi Minh-Ha),$f1952-$0324698 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910809211803321 996 $aThe digital film event$94108598 997 $aUNINA