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035   $a(OCoLC)476209599
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100   $a20061130d2006      uy         0
101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aCalixthe Beyala $eperformances of migration /$fNicki Hitchcott
205   $a1st ed.
210   $aLiverpool $cLiverpool University Press$d2006
215   $a1 online resource (190 pages) $cdigital, PDF file(s)
225 1 $aContemporary French and francophone cultures ;$v5
300   $aTitle from publisher's bibliographic system (viewed on 07 Jul 2017).
311   $a1-84631-028-8 
320   $aIncludes bibliographical references and index.
327   $tIntroduction : a postcolonial phenomenon --$g1.$tCalixthe Beyala incorporated? --$g2.$tInvented authenticities --$g3.$tMigrating subjectivities --$g4.$t'Afro-francaise' : in-between or out of sync? --$g5.$tPerforming identities --$tConclusion : survival in a post-exotic age.
330   $aThe most successful female writer from Francophone Africa, Calixthe Beyala occupies an unusual place in French literary and popular culture. Her novels are bestsellers and she appears regularly on French television, yet a conviction for plagiarism has tarnished her reputation. Thus, she is both an "authentic" African author and a proven literary "fake."In Calixthe Beyala, Nicki Hitchcott considers representations of Beyala in the media, critical responses to her writing, and Beyala's efforts to position herself as a champion of women's rights. Hitchcott pays equal attention to Beyala's novels, tracing their explorations of the role of migration in the creation of personal identity.
410  0$aContemporary French and francophone cultures ;$v5.
606   $aAuthors, African
615  0$aAuthors, African.
676   $a843
700   $aHitchcott$b Nicki$01620953
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910809112103321
996   $aCalixthe Beyala$93954030
997   $aUNINA