LEADER 03025nam  22006372  450 
001 9910809074703321
005 20151005020622.0
010   $a1-139-88969-9
010   $a1-107-06560-7
010   $a1-107-05703-5
010   $a1-107-05488-5
010   $a1-107-05818-X
010   $a1-107-05952-6
010   $a1-107-05596-2
010   $a1-139-51957-3
035   $a(CKB)2670000000344004
035   $a(EBL)1182974
035   $a(OCoLC)843187588
035   $a(SSID)ssj0000857590
035   $a(PQKBManifestationID)11437173
035   $a(PQKBTitleCode)TC0000857590
035   $a(PQKBWorkID)10866985
035   $a(PQKB)11737227
035   $a(UkCbUP)CR9781139519571
035   $a(MiAaPQ)EBC1182974
035   $a(Au-PeEL)EBL1182974
035   $a(CaPaEBR)ebr10695386
035   $a(CaONFJC)MIL494699
035   $a(EXLCZ)992670000000344004
100   $a20120525d2013||||  uy|            0
101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aNew music at Darmstadt $eNono, Stockhausen, Cage, and Boulez /$fMartin Iddon$b[electronic resource]
210  1$aCambridge :$cCambridge University Press,$d2013.
215   $a1 online resource (xxiii, 329 pages) $cdigital, PDF file(s)
225 1 $aMusic since 1900
300   $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015).
311   $a1-107-48001-9 
311   $a1-107-03329-2 
320   $aIncludes bibliographical references and index.
327   $aThe accidental serialists. Arrivals -- Schools -- Excursus : October 1954, Donaueschingen and Cologne -- Chance encounters. Precursors -- The Cage shock -- In Cage's wake.
330   $aNew Music at Darmstadt explores the rise and fall of the so-called 'Darmstadt School', through a wealth of primary sources and analytical commentary. Martin Iddon's book examines the creation of the Darmstadt New Music Courses and the slow development and subsequent collapse of the idea of the Darmstadt School, showing how participants in the West German new music scene, including Herbert Eimert and a range of journalistic commentators, created an image of a coherent entity, despite the very diverse range of compositional practices on display at the courses. The book also explores the collapse of the seeming collegiality of the Darmstadt composers, which crystallised around the arrival there in 1958 of the most famous, and notorious, of all post-war composers, John Cage, an event Carl Dahlhaus opined 'swept across the European avant-garde like a natural disaster'.
410  0$aMusic since 1900.
606   $aMusic$zGermany$zDarmstadt$y20th century$xHistory and criticism
615  0$aMusic$xHistory and criticism.
676   $a780.943/41670904
700   $aIddon$b Martin$f1975-$01670638
801  0$bUkCbUP
801  1$bUkCbUP
906   $aBOOK
912   $a9910809074703321
996   $aNew music at Darmstadt$94032627
997   $aUNINA