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181   $ctxt$2rdacontent
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200 14$aThe vital lie $ereality and illusion in modern drama /$fAnthony S. Abbott
205   $a1st ed.
210   $aTuscaloosa $cUniversity of Alabama Press$dc1989
215   $a1 online resource (xiv, 239 pages)
311 0 $a0-8173-1202-1 
311 0 $a0-8173-0396-0 
320   $aIncludes bibliographical references (p. 230-233) and index.
327   $aContents; Preface: The Vital Lie; 1. Reality, Illusion, and the More Abundant Life; Part One: The Hegelians; 2. Henrik Ibsen; 3. August Strindberg; 4. Anton Chekhov; 5. George Bernard Shaw; 6. John Millington Synge; Part Two: Lost and Found; 7. Luigi Pirandello; 8. Bertolt Brecht; 9. T. S. Eliot; 10. Eugene O'Neill; 11. Arthur Miller and Tennessee Williams; Part Three: Absurdism and After; 12. Samuel Beckett and Eugene Ionesco; 13. Edward Albee; 14. Harold Pinter; 15. Theater as Reality/Reality as Theater; 16. Reality and the Hero; Notes; Bibliography; Permissions; Index
330   $aThe Vital Lie is the first book to examine the reality-illusion conflict in modern drama from Ibsen to present-day playwrights. The book questions why vital lies, lies necessary for life itself, are such an obsessive concern for playwrights of the last hundred years. Using the work of fifteen playwrights, Abbott seeks to discover if modern playwrights treat illusions as helpful or necessary to life, or as signals of sicknesses from which human beings need to be cured.
606   $aDrama$y19th century$xHistory and criticism
606   $aDrama$y20th century$xHistory and criticism
606   $aIllusion in literature
606   $aReality in literature
615  0$aDrama$xHistory and criticism.
615  0$aDrama$xHistory and criticism.
615  0$aIllusion in literature.
615  0$aReality in literature.
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700   $aAbbott$b Anthony S$01713786
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996   $aThe vital lie$94107042
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