LEADER 00949nam0-2200349---450- 001 990008524490403321 005 20070607125705.0 010 $a88-603-6098-6 010 $a978-88-6036-098-4 035 $a000852449 035 $aFED01000852449 035 $a(Aleph)000852449FED01 035 $a000852449 100 $a20070607d2007----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay---n-----00yy 200 1 $a<>natura dopo Darwin$eevoluzione umana e saggezza$fOrlando Franceschelli 210 $aRoma$cDonzelli$dİ2007 215 $aVI, 199 p.$d20 cm 225 1 $aVirgola$v31 610 0 $aNatura$aEvoluzione 676 $a113$v21$zita 676 $a146.7$v21$zita 700 1$aFranceschelli,$bOrlando$0266604 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990008524490403321 952 $a113 FRA 1$b3533$fBFS 959 $aBFS 996 $aNatura dopo Darwin$9733259 997 $aUNINA LEADER 02873nam 2200613 450 001 9910808905803321 005 20200520144314.0 010 $a0-8131-6498-2 035 $a(CKB)3710000000334328 035 $a(EBL)1915528 035 $a(SSID)ssj0001435536 035 $a(PQKBManifestationID)11800087 035 $a(PQKBTitleCode)TC0001435536 035 $a(PQKBWorkID)11434382 035 $a(PQKB)10561106 035 $a(OCoLC)900344729 035 $a(MdBmJHUP)muse44554 035 $a(Au-PeEL)EBL1915528 035 $a(CaPaEBR)ebr11005589 035 $a(MiAaPQ)EBC1915528 035 $a(EXLCZ)993710000000334328 100 $a20150124h19861986 uy d 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 12$aA mirror to nature $etransformations in drama and aesthetics, 1660-1732 /$fRose A. Zimbardo 210 1$aLexington, Kentucky :$cThe University Press of Kentucky,$d1986. 210 4$dİ1986 215 $a1 online resource (257 p.) 300 $aIncludes index. 311 $a1-322-59972-6 311 $a0-8131-5539-8 320 $aBibliography: p. [226]-242. 327 $aCover; Title; Copyright; Contents; Acknowledgments; 1. The Four Stages of Dramatic Imitation, 1660-1732; 2. Imitation of Nature as Idea; 3. Imitation of Nature as ""The City Between""; 4. The Varieties of Dramatic Satire in the 1670's; 5. Nature as the Experiential Actual, 1680-1700; 6. Imitation of the Inner Arena: Sentimental, Pornographic, or Novelistic?; 7. Emulation: The Early Eighteenth Century; Notes; Index; 330 $aIn this provocative study Rose Zimbardo examines a crucial revolution in aesthetics that took place in the late seventeenth century and that to this day dominates our response to literature. Although artists of that time continued to follow the precept ""imitate nature,"" that nature no longer corresponds to the earlier understanding of the term. What had been in essence an allegorical mode came to be a literal one.Focusing on the drama of the period as an exemplary form, Zimbardo shows how it moved from depicting a metaphysical reality of idea to portraying an inner reality of individual 606 $aEnglish drama$yRestoration, 1660-1700$xHistory and criticism 606 $aEnglish drama$y18th century$xHistory and criticism 606 $aAesthetics, Modern$y17th century 606 $aAesthetics, Modern$y18th century 615 0$aEnglish drama$xHistory and criticism. 615 0$aEnglish drama$xHistory and criticism. 615 0$aAesthetics, Modern 615 0$aAesthetics, Modern 676 $a822/.4/09384 700 $aZimbardo$b Rose A.$0193416 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910808905803321 996 $aA mirror to nature$94041741 997 $aUNINA