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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 14$aThe instrumental music of Schmeltzer, Biber, Muffat and their contemporaries /$fCharles E. Brewer
210  1$aLondon ;$aNew York :$cRoutledge,$d2016.
215   $a1 online resource (440 p.)
300   $aDescription based upon print version of record.
311   $a1-138-24753-7 
311   $a1-85928-396-9 
320   $aIncludes bibliographical references and index.
327   $aStylus phantasticus and stylus hyporchematicus : concepts of instrumental music in late seventeenth-century Central and East-Central Europe -- Johann Heinrich Schmeltzer (c.1620/23-1680) and music at the Viennese court -- The chapel of Prince-Bishop Carl Liechtenstein-Castelcorn -- Biber and Muffat at Salzburg -- The dissemination and dissolution of the stylus phantasticus.
330   $aBased on primary sources, many of which have never been published or examined in detail, this book examines the music of the late seventeenth-century composers, Biber, Schmeltzer and Muffat, and the compositions preserved in the extensive Moravian archives in Kromeriz. Charles E. Brewer sets these composers and their music within a framework that first examines the basic Baroque concepts of instrumental style, and then provides a context for the specific works.
606   $aInstrumental music$zAustria$y17th century$xHistory and criticism
606   $aMusic$y17th century$xPhilosophy and aesthetics
615  0$aInstrumental music$xHistory and criticism.
615  0$aMusic$xPhilosophy and aesthetics.
676   $a780.92/2
700   $aBrewer$b Charles E$g(Charles Everett),$0143452
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910808899203321
996   $aThe instrumental music of Schmeltzer, Biber, Muffat and their contemporaries$94041679
997   $aUNINA