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100   $a20101220d2011      uy         0
101 0 $aeng
135   $aur|n|||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aAdapting detective fiction $ecrime, Englishness and the TV detectives /$fNeil McCaw
205   $a1st ed.
210   $aLondon ;$aNew York $cContinuum$d2011
215   $a1 online resource (209 p.)
225 1 $aContinuum literary studies
300   $aDescription based upon print version of record.
311   $a1-4411-8617-4 
311   $a1-84706-307-1 
320   $aIncludes bibliographical references and index.
327   $aContents; Acknowledgements; Chapter 1: Introduction - Adaptation and Cultural History; Chapter 2: Sherlock Holmes and the Authenticity of Crime; Chapter 3: Miss Marple, Criminality and Englishness; Chapter 4: Morse, Heritage and the End of History; Chapter 5: Jack Frost and the Condition of England Question; Chapter 6: Cadfael, Medievalism and Modern Nationhood; Chapter 7: DCI Barnaby and an English Aesthetics of Crime; Chapter 8: Conclusion - Detecting the Nation; Notes; Bibliography; Index
330   $aAdapting Detective Fiction is a study of specific instances of adaptation, with close readings of both the originating sources and adapted texts. But it is also more than this. It is a study of the politics of representation in the last decades of the twentieth century, and the role television detective fiction plays in this. It is about the mutually-informing interrelation of cultural texts and political rhetoric, about the connection between the popular-cultural depiction of crime and criminality and how we come to understand human behaviour and culpability; most of all, it is a detailed con
410  0$aContinuum literary studies.
606   $aDetective and mystery stories, English$vTelevision adaptations
615  0$aDetective and mystery stories, English
676   $a791.456556
700   $aMcCaw$b Neil$01642170
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910808876603321
996   $aAdapting detective fiction$93986732
997   $aUNINA