LEADER 00866nam0-22003251i-450- 001 990000866160403321 005 20001010 010 $a88-207-2481-2 035 $a000086616 035 $aFED01000086616 035 $a(Aleph)000086616FED01 035 $a000086616 100 $a20001010d--------km-y0itay50------ba 101 0 $aita 105 $ay-------001yy 200 1 $aIntroduzione alla Macroeconomia$fS. Vinci 210 $aNapoli$cLiguori Editore$d1995 215 $a212 p.$d24 cm 300 $aLa bibl. poss. n. 2 copie 676 $a339 700 1$aVinci,$bSalvatore$0333353 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990000866160403321 952 $a02 50 C 82$b7360$fFINBN 952 $a02 50 C 83$b7361$fFINBN 959 $aFINBN 996 $aIntroduzione alla macroeconomia$967832 997 $aUNINA DB $aING01 LEADER 02527nam 2200481 450 001 9910808826103321 005 20230814221356.0 010 $a90-04-35626-6 024 7 $a10.1163/9789004356269 035 $a(CKB)4100000000886217 035 $a(MiAaPQ)EBC5151498 035 $a(OCoLC)1012487573$z(OCoLC)1012809574 035 $a(nllekb)BRILL9789004356269 035 $a(EXLCZ)994100000000886217 100 $a20171219h20182018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aArt and adaptability $econsciousness and cognitive culture /$fby Gregory F. Tague 210 1$aLeiden, The Netherlands ;$aBoston, [Massachusetts] :$cBrill Rodopi,$d2018. 210 4$dİ2018 215 $a1 online resource (216 pages) $cillustrations 225 1 $aConsciousness, Literature and the Arts,$x1573-2193 ;$vVolume 52 311 $a90-04-35452-2 320 $aIncludes bibliographical references and index. 327 $aIntroduction: Setting Boundaries -- Intelligence: Communication and Theory of Mind -- Culture: The Adapted Mind -- Adaptive Functions: Selection and the Human Psyche -- Objections: Philosophy and Byproducts -- Neurobiology and Cognition: Consciousness and Representation -- Conclusion: The Arts and Sciences. 330 $aArt and Adaptability argues for a co-evolution of theory of mind and material/art culture. The book covers relevant areas from great ape intelligence, hominin evolution, Stone Age tools, Paleolithic culture and art forms, to neurobiology. We use material and art objects, whether painting or sculpture, to modify our own and other people?s thoughts so as to affect behavior. We don?t just make judgments about mental states; we create objects about which we make judgments in which mental states are inherent. Moreover, we make judgments about these objects to facilitate how we explore the minds and feelings of others. The argument is that it?s not so much art because of theory of mind but art as theory of mind. 410 0$aConsciousness, literature & the arts ;$vVolume 52. 606 $aConsciousness 606 $aArts$xPsychological aspects 615 0$aConsciousness. 615 0$aArts$xPsychological aspects. 676 $a153 700 $aTague$b Gregory F.$01488002 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910808826103321 996 $aArt and adaptability$94050881 997 $aUNINA