LEADER 02490nam 2200661 a 450 001 9910808687303321 005 20240131152851.0 010 $a1-282-19185-3 010 $a9786612191855 010 $a1-4438-0820-2 035 $a(CKB)2430000000015506 035 $a(EBL)1114416 035 $a(OCoLC)827209194 035 $a(SSID)ssj0000307869 035 $a(PQKBManifestationID)12083893 035 $a(PQKBTitleCode)TC0000307869 035 $a(PQKBWorkID)10251014 035 $a(PQKB)10633369 035 $a(MiAaPQ)EBC1114416 035 $a(Au-PeEL)EBL1114416 035 $a(CaPaEBR)ebr10655355 035 $a(CaONFJC)MIL219185 035 $a(OCoLC)187294547 035 $a(FINmELB)ELB139697 035 $a(EXLCZ)992430000000015506 100 $a20071220d2008 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aRecycling culture(s)$b[electronic resource] /$fedited by Sara Martin 210 $aNewcastle, U.K. $cCambridge Scholars$d2008 215 $a1 online resource (228 p.) 300 $aDescription based upon print version of record. 311 $a1-84718-429-4 320 $aIncludes bibliographical references. 327 $apt. I. Recycling the book and the screen -- pt. II. Recycling identity, consumption and history. 330 $aCulture survives today by means of a constant recycling, optimistically trying to overcome its own decadence in the 21st century. Recycling Culture(s) addresses from a variety of perspectives this strategy, analyzing not only a wide range of texts but also of cultural practices. As the volume shows, culture thrives on a permanent state of flux, borrowing materials for its own survival wherever they are found and always favouring hybridity. This refers not only to how texts cross genre and med... 606 $aCulture in literature 606 $aCulture in motion pictures 606 $aSocial evolution 606 $aCivilization, Modern$y21st century 606 $aIntellectual life 615 0$aCulture in literature. 615 0$aCulture in motion pictures. 615 0$aSocial evolution. 615 0$aCivilization, Modern 615 0$aIntellectual life. 676 $a306.090511 701 $aMartin$b Sara$01169127 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910808687303321 996 $aRecycling culture(s)$93914827 997 $aUNINA