LEADER 02834nam 2200385 450 001 9910808679903321 005 20200109134032.0 010 $a0-86196-962-6 035 $a(CKB)4100000009522715 035 $a(MiAaPQ)EBC5906325 035 $a(MiAaPQ)EBC30495197 035 $a(Au-PeEL)EBL30495197 035 $a(EXLCZ)994100000009522715 100 $a20191106d2019 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aDiscussing Disney /$fedited by Amy M. Davis 205 $a1st ed. 210 1$aNew Barnet, Herts, England :$cJL,$d[2019] 210 4$dİ2019 215 $a1 online resource (270 pages) 327 $aCover -- Discussing Disney -- Title -- Copyright -- Contents -- Contributor Biographies -- Introduction -- I. History -- 1 A Return to 2719 Hyperion Avenue: Walt Disney as Archetypal Trickster -- 2 Animating America's Anticommunism: Alice's Egg Plant (1925) and Disney's First Red Scare -- 3 High Fantasy Disney: Recontextualising The Black Cauldron -- II. Inside the Studio -- 4 "That Corner of the Disney Studios that is Forever England": Disney's Vision of the British Family -- 5 Fix it Felix! Reviving Disney Animation using the Pixar Formula -- 6 Let it go? Towards a "Plasmatic" Perspective on Digital Disney -- III. Gender -- 7 The Meaning within Characters' Use of Cosmetics in Disney's Animated Feature Films -- 8 From Operatic Uniformity to Upbeat Eclecticism: The Musical Evolution of the Princess in Disney's Animated Features -- 9 Princess Brides and Dream Weddings: Investigating the Gendered Narrative of Disney's Fairy Tale Weddings -- 10 Frozen Hearts and Fixer-Uppers: Villainy, Gender, and Female Companionship in Disney's Frozen -- IV. Outside the Studio -- 11 The Violentest Place on Earth: Adventures in Censorship, Nostalgia, and Pastiche (or, The Simpsons Do Disney) -- 12 Disney Pluralism: Beyond Disney-Formalism -- Index. 330 $aBy looking at Disney from some of its many angles - the history and the persona of its founder, a selection of its films (from the blockbuster successes to the less than successful), its approaches to animation, its branding and fandom, and the ways that it has been understood and reinterpreted within popular culture - it is hoped that Discussing Disney offers its readers (and the field of Disney Studies) a more holistic understanding of a company that is arguably one of the most important forces within culture - popular or otherwise - within (so far) the Twentieth and Twenty-First Centuries. 676 $a791.4366 702 $aDavis$b Amy M. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910808679903321 996 $aDiscussing Disney$93914754 997 $aUNINA