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100   $a19980220e20231998  fy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aClassical form $ea theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven /$fWilliam E. Caplin
205   $a1st ed.
210  1$aNew York ;$cOxford University Press,$d2023.
215   $a1 online resource (xii, 307 p.)
225 1 $aOxford scholarship online
300   $aPreviously issued in print: 1998.
311   $a0-19-514399-X 
311   $a0-19-510480-3 
320   $aIncludes bibliographical references (pages 289-292) and index.
327   $a1. Some Basic Formal Functions: An Overview -- 2. Fundamental Progressions of Harmony -- 3. Sentence -- 4. Period -- 5. Hybrid Themes and Compound Themes -- 6. Small Ternary -- 7. Small Binary -- 8. Subordinate Theme -- 9. Transition -- 10. Development -- 11. Recapitulation -- 12. Coda -- 13. Sonata Form -- 14. Slow-Movement Forms -- 15. Minuet/Trio Form -- 16. Rondo Forms -- 17. Concerto Form.
330 8 $aThis work introduces a theory of form for the analysis of instrumental music of the classical style. Focusing on formal function the theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form.
410  0$aOxford scholarship online.
517 3 $aTheory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven
606   $aInstrumental music$xAnalysis, Appreciation
606   $aMusical form
615  0$aInstrumental music$xAnalysis, Appreciation.
615  0$aMusical form.
676   $a784.18
700   $aCaplin$b William E.$0781762
801  0$bStDuBDS
801  1$bStDuBDS
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801  2$bStDuBDSZ
906   $aBOOK
912   $a9910808651603321
996   $aClassical form$91733656
997   $aUNINA