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010   $a1-280-47656-7
010   $a9786610476565
010   $a1-84150-892-6
035   $a(CKB)111087028263764
035   $a(EBL)283060
035   $a(OCoLC)559077172
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035   $a(PQKBTitleCode)TC0000105368
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100   $a20011121d2003      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aArchitectures of illusion $efrom motion pictures to navigable interactive environments /$fMaureen Thomas and Francois Penz, (eds.)
205   $a1st ed.
210   $aBristol ;$aPortland, Or. $cIntellect$d2003
215   $a1 online resource (226 p.)
300   $aDescription based upon print version of record.
311   $a1-84150-045-3 
320   $aIncludes bibliographical references and index.
327   $aContents; Historical Note; Introduction; Animation, Art and Digitality; Beyond Digitality: Cinema, Console Games and Screen Language; Architecture and the Screen from Photography to Synthetic Imaging; The Creative Treatment of Actuality; Screenography; Bibliography; Index
330   $aThe world of media production is in a state of rapid transformation. In this age of the Internet, interactivity and digital broadcasting, do traditional standards of quality apply or must we identify and implement new criteria? This profile of the work of the Cambridge University Moving Image Studio (CUMIS), presents a strong argument that new developments in digital media are absolutely dependent on an understanding of traditional excellence. The book stands alone in placing equal emphasis on theoretical and practical aspects of its subject matter and avoids jargon so as to be easily understo
606   $aDigital media
606   $aTechnology
615  0$aDigital media.
615  0$aTechnology.
676   $a302.23
701   $aThomas$b Maureen$01684820
701   $aPenz$b Franc?ois$01646234
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910808602903321
996   $aArchitectures of illusion$94056473
997   $aUNINA