LEADER 03536nam 22005892 450 001 9910808600203321 005 20170712103026.0 010 $a1-78138-826-1 010 $a1-84631-394-5 035 $a(CKB)1000000000541213 035 $a(EBL)380769 035 $a(SSID)ssj0000237681 035 $a(PQKBManifestationID)11199963 035 $a(PQKBTitleCode)TC0000237681 035 $a(PQKBWorkID)10192290 035 $a(PQKB)10570499 035 $a(StDuBDS)EDZ0000127338 035 $a(UkCbUP)CR9781781388266 035 $a(MiAaPQ)EBC3016894 035 $a(MiAaPQ)EBC4815442 035 $a(MiAaPQ)EBC380769 035 $a(Au-PeEL)EBL380769 035 $a(OCoLC)880825166 035 $a(EXLCZ)991000000000541213 100 $a20170307d2000|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aRevisioning Duras $efilm, race, sex /$fedited by James S. Williams, with the assistance of Janet Sayers$b[electronic resource] 210 1$aLiverpool :$cLiverpool University Press,$d2000. 215 $a1 online resource (227 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 07 Jul 2017). 311 $a0-85323-546-5 320 $aIncludes bibliographical references. 327 $aTitle Page; Contents; Acknowledgements; Contributors; Introduction: Revisioning Duras; Part I: Film; 1: An Art of Fugue? The Polyphonic Cinema of Marguerite Duras; 2: Screening the Vampire: Notes on India Song and the Photographic Images of La mer e?crite; 3: Hijacking the Hunter: Duras's 'La nuit du chasseur'; 4: Excitable Silence: the Violence of Non-violence in Nathalie Granger; Part II: Race; 5: Durasie: Women, Natives, and Other; 6: Imaginary White Female: Myth, Race, and Colour in Duras's L'amant de la Chine du Nord 327 $a7: 'Like the French of France': Immigration and Translation in the Later Novels of Marguerite Duras Part III: Sex; 8: Female Homoerotics and Lesbian Textuality in the Work of Marguerite Duras; 9: Life and Death Upon the Page: Marguerite Duras and Roland Barthes; 10: Photography and Fetishism in L'amant; Brief Chronology of the Work of Marguerite Duras; Select Bibliography 330 $aThe extraordinary range, complexity and power of Marguerite Duras - novelist, dramatist, film-maker, essayist - has been justly recognised. Yet in the years following her death in 1996, there has been a increasing tendency to consecrate her work, particularly by those critics who approach it primarily in biographical terms. The British and American specialists featured in this interdisciplinary collection aim to resurrect the Duras corpus in all its forms by submitting it theoretically to three main areas of enquiry. By establishing how far Duras's work questions and redefines the parameters of literary and cinematic form, as well as the categories of race and ethnicity, homosexuality and heterosexuality, fantasy and violence, the contributors to this volume 'revision' Duras's work in the widest sense of the term 606 $aSex in literature 606 $aRace awareness in literature 615 0$aSex in literature. 615 0$aRace awareness in literature. 676 $a843/.912 702 $aWilliams$b James S.$f1963- 702 $aSayers$b Janet 801 0$bUkCbUP 801 1$bUkCbUP 906 $aBOOK 912 $a9910808600203321 996 $aRevisioning Duras$94056450 997 $aUNINA