LEADER 04374nam 2200553 450 001 9910808552103321 005 20200520144314.0 010 $a0-231-85089-1 024 7 $a10.7312/bide17644 035 $a(CKB)3710000000628073 035 $a(EBL)4454805 035 $a(MiAaPQ)EBC4454805 035 $a(DE-B1597)473078 035 $a(OCoLC)984665676 035 $a(DE-B1597)9780231850896 035 $a(Au-PeEL)EBL4454805 035 $a(CaPaEBR)ebr11210865 035 $a(CaONFJC)MIL910785 035 $a(OCoLC)950904941 035 $a(EXLCZ)993710000000628073 100 $a20160527h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aMediamorphosis $eKafka and the moving image /$fedited by Shai Biderman and Ido Lewit 210 1$aLondon, [England] ;$aNew York :$cWallflower Press,$d2016. 210 4$dİ2016 215 $a1 online resource (373 p.) 300 $aDescription based upon print version of record. 311 $a0-231-17644-9 311 $a0-231-17645-7 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $tFrontmatter -- $tCONTENTS -- $tACKNOWLEDGEMENTS -- $tNOTES ON CONTRIBUTORS -- $tINTRODUCTION. IDO LEWIT AND SHAI BIDERMAN -- $tKAFKA, RUMOUR, EARLY CINEMA: ARCHAIC MOVING PICTURES -- $tSEBALD GOES TO THE MOVIES: READING KAFKA AS CINEMATOGRAPHY -- $tTHE GHOST IS CLEAR: THE POV OF THE DAYDREAMER -- $tMOVING PICTURES ? VISUAL PLEASURES: KAFKA?S CINEMATIC WRITING -- $tTO MOVE AS THE IMAGE MOVES: THE RULE OF RHYTHMIC PRESENCE AND ABSENCE IN KAFKA?S THE MAN WHO DISAPPEARED -- $tNOISES OFF: CINEMATIC SOUND IN KAFKA?S ?THE BURROW? -- $tGESTURE, WARDROBE, BACKDROP AND PROP IN FRANZ KAFKA?S THE MAN WHO DISAPPEARED AND PETER WEIR?S THE TRUMAN SHOW -- $tTHE POSSIBILITY OF THE CINEMATIC IN ?THE METAMORPHOSIS? AND ?THE BURROW? -- $t?THE ESSENTIAL IS SUFFICIENT?: THE KAFKA ADAPTATIONS OF ORSON WELLES, STRAUB-HUILLET AND MICHAEL HANEKE -- $tK, THE TRAMP AND THE CINEMATIC VISION: THE KAFKAESQUE CHAPLIN -- $t?THE MEDIUM IS THE MESSAGE?: CRONENBERG ?OUTKAFKAS? KAFKA -- $tTHE ABSURDITY OF HUMAN EXISTENCE: ?THE METAMORPHOSIS? AND THE FLY -- $t?THIS IS NOT NOTHING?: VIEWING THE COEN BROTHERS THROUGH THE LENS OF KAFKA -- $tTHE FACE: K. AND KEATON -- $tTRANSLATING KAFKA INTO ITALIAN: KAFKAESQUE THEMES IN ELIO PETRI?S FILMS -- $tMAGIC, MYSTERY AND MIRACLE: RE-SPIRALLING MARKER AND KAFKA -- $tTRANSCRIBING KAFKA INTO FILM: A TORTUOUS LOVE-STORY -- $tINDEX 330 $aThe idea of a visual manifestation of the work of Franz Kafka was denied by many?first and foremost by Kafka himself, who famously urged his publisher to avoid an image of an insect on the cover of Metamorphosis. Be that as it may, it is unlikely that such a central progenitor of twentieth-century art and thought as Kafka can be fully understood without reference to the revolutionary artistic medium of his century: cinema.Mediamorphosis compiles articles by some of today's leading forces in the scholarship of Kafka as well as film studies to provide a thorough investigation of the reciprocal relations between Kafka's work and the cinematic medium. The volume approaches the theoretical integration of Kafka and cinema via such issues as the cinematic qualities in Kafka's prose and the possibility of a visual manifestation of the Kafkaesque. Alongside these debates, the book investigates the capacity of cinema to incorporate and express the unique qualities of a Kafkaesque world through an analysis of cinematic adaptations of Kafka's prose, such as Michael Haneke's The Castle (1997) and Straub-Huillet's Class Relations (1984), as well as films that carry a more subtle relation to Kafka's oeuvre, such as the cinematic works of David Cronenberg, the films of the Coen brothers, Chris Marker's "film-essay," Charlie Chaplin's tramp, and others. 606 $aMotion pictures and literature 615 0$aMotion pictures and literature. 676 $a833.912 686 $aGM 4004$qDE-14/sred$2rvk 702 $aBiderman$b Shai 702 $aLewit$b Ido 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910808552103321 996 $aMediamorphosis$93954951 997 $aUNINA