LEADER 03987oam 2200733I 450 001 9910808540603321 005 20240516201046.0 010 $a1-136-59358-6 010 $a1-283-45935-3 010 $a9786613459350 010 $a1-136-59359-4 010 $a0-203-18306-1 024 7 $a10.4324/9780203183069 035 $a(CKB)2670000000148566 035 $a(EBL)958394 035 $a(OCoLC)798531259 035 $a(SSID)ssj0000679047 035 $a(PQKBManifestationID)12242169 035 $a(PQKBTitleCode)TC0000679047 035 $a(PQKBWorkID)10608912 035 $a(PQKB)10782246 035 $a(MiAaPQ)EBC958394 035 $a(Au-PeEL)EBL958394 035 $a(CaPaEBR)ebr10687171 035 $a(CaONFJC)MIL345935 035 $a(OCoLC)782918612 035 $a(OCoLC)641536356 035 $a(FINmELB)ELB139070 035 $a(EXLCZ)992670000000148566 100 $a20180706d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aSalman Rushdie and visual culture $ecelebrating impurity, disrupting borders /$fedited by Ana Cristina Mendes 205 $a1st ed. 210 1$aNew York :$cRoutledge,$d2012. 215 $a1 online resource (243 p.) 225 1 $aRoutledge studies in twentieth-century literature ;$v21 300 $aDescription based upon print version of record. 311 $a1-138-84724-0 311 $a0-415-88545-0 320 $aIncludes bibliographical references and index. 327 $aSalman Rushdie and Visual Culture Celebrating Impurity,Disrupting Borders; Copyright; Contents; List of Figures; 1 Salman Rushdie's "Epico-Mythico-Tragico-Comico-Super-Sexy- High-Masala-Art," or Considerations on Undisciplining Boundaries; 2 Merely Connect: Salman Rushdie and Tom Phillips; 3 Beyond the Visible: Secularism and Postcolonial Modernity in Salman Rushdie's The Moor's Last Sigh, Jamelie Hassan's Trilogy, and Anish Kapoor's Blood Relations; 4 Living Art: Artistic and Intertextual Re-envisionings of the Urban Trope in The Moor's Last Sigh 327 $a5 In Search for Lost Portraits: The Lost Portrait and The Moor's Last Sigh6 Paint, Patronage, Power, and the Translator's Visibility; 7 Show and Tell: Midnight's Children and The Boyhood of Raleigh Revisited; 8 "Nobody from Bombay should be without a basic film vocabulary": Midnight's Children and the Visual Culture of Indian Popular Cinema; 9 Visual Technologies in Rushdie's Fiction: Envisioning the Present in the 'Imagological Age'; 10 Bombay/'Wombay': Refracting the Postcolonial Cityscape in The Ground Beneath Her Feet 327 $a11 Screening the Novel, the Novel as Screen: The Aesthetics of the Visual in Fury12 Media Competition and Visual Displeasure in Salman Rushdie's Fiction; Contributors; Index 330 $aIn Salman Rushdie's novels, images are invested with the power to manipulate the plotline, to stipulate actions from the characters, to have sway over them, seduce them, or even lead them astray. Salman Rushdie and Visual Culture sheds light on this largely unremarked - even if central - dimension of the work of a major contemporary writer. This collection brings together, for the first time and into a coherent whole, research on the extensive interplay between the visible and the readable in Rushdie's fiction, from one of the earliest novels - Midnight's Children (1981) - 410 0$aRoutledge studies in twentieth-century literature ;$v21. 606 $aArt in literature 606 $aMotion pictures in literature 606 $aArt and literature 615 0$aArt in literature. 615 0$aMotion pictures in literature. 615 0$aArt and literature. 676 $a823/.914 701 $aMendes$b Ana Cristina$01149286 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910808540603321 996 $aSalman Rushdie and visual culture$94056358 997 $aUNINA