LEADER 05662oam 22004333 450 001 9910808493603321 005 20240123234801.0 010 $a0-8040-4116-4 035 $a(CKB)4100000011808068 035 $a(MiAaPQ)EBC6525450 035 $a(Au-PeEL)EBL6525450 035 $a(OCoLC)1191458166 035 $a(OCoLC)1202730152 035 $a(MdBmJHUP)musev2_90023 035 $a(EXLCZ)994100000011808068 100 $a20210901d2020 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 12$aA field guide to the poetry of Theodore Roethke /$fedited by William David Barillas; foreword by Edward Hirsch 205 $a1st ed. 210 1$aAthens, OH :$cOhio University Press,$d2020. 210 4$dİ2020. 215 $a1 online resource (xvii, 352 pages) $cillustrations 311 0 $a0-8040-1231-8 327 $aMachine generated contents note:$tOpen House (1941) --$g1.$t"Open House": Prying and Potential in an Early Poem /$rBrandon Rushton --$g2.$t"To My Sister" /$rWilliam Heyen --$g3.$t"Beneath an Undivided Sky": Environmental Disorder and Human Passivity in "Interlude" /$rKristin M. Distel --$g4.$t"Sharper on the Ear": "The Light Comes Brighter" and the Subtle Phenomena of Place /$rRod Phillips --$g5.$tSmart Like Auden? "Lull" and "September 1, 1939" /$rPatrick Gill --$g6.$tIronic Quest in "Highway: Michigan" /$rRonald Primeau --$g7.$tMovement through Space, Sound, and Time in "Night Journey" /$rMarcel Inhoff --$tThe Lost Son and Other Poems (1948) --$g8.$t"Cuttings" and "Cuttings (later)": Roethke's Minute Carnivals /$rMichael Hinds --$g9.$tAll the Small, Unlovely Things: "Root Cellar" /$rJohn Rohrkemper --$g10.$tLocating the Poet in "Weed Puller" /$rLyn Coffin --$g11.$t"Orchids": Undomesticating the Greenhouse /$rBrooke Horvath --$g12.$t"Moss-Gathering" and Roethke's Romantic Child of Nature /$rMarc Malandra --$g13.$tThe Storm of the Mind vs. Family and Machine in "Big Wind" /$rRussell Brickey --$g14.$t"Long Days under the Sloped Glass": Greenhouse Memories in "Transplanting" /$rCarrie Duke --$g15.$t"Frau Bauman, Frau Schmidt, and Frau Schwartze" and the Sleeping Beauty Tale /$rLaura Duncan --$g16.$tMeter in "My Papa's Waltz" /$rWilliam Barillas --$g17.$tSyntax and Diction in "Dolor" /$rLuke Brekke --$g18.$tImagery and Abstraction in "Night Crow" /$rSarah Kathryn Moore --$g19.$t"The Lost Son": An Emotional Journey through the Landscapes of Loss /$rBorja Aguilo Obrador --$g20.$tRespite for the Lost Son: "A Field of Light" /$rJeffrey Clapp --$tPraise to the End! (1951) --$g21.$tHomegrown Cosmologies: Animism and Elegy in "Where Knock Is Open Wide" /$rDavid Wojahn --$g22.$t"Give Way, Ye Gates" and Roethke's Praise to the End! Sequence /$rPeter Balakian --$tThe Waking (1953) --$g23.$t"The Visitant" /$rCamille Paglia --$g24.$t"Elegy for Jane": The Nature of Grief /$rDavid Radavich --$g25.$tDancing "The Dance": Roethke's Poetics of Appropriation /$rAdam Putz --$g26.$tSubduing Fear in "The Waking" /$rFrank J. Kearful --$tWords for the Wind (1958) --$g27.$tLove, Selfhood, and Sublimation in "Words for the Wind" /$rAndrew David King --$g28.$tMoving Circles in "I Knew a Woman" /$rJay Parini --$g29.$t"First Meditation" and Roethke's Career /$rDon Bogen --$tI Am! Says the Lamb (1961) --$g30.$tA Few Thousand Words on Theodore Roethke, Children's Poetry, and Three Poems Concerning Two Turtles (One of Whom Is Named Myrtle) /$rJoseph T. Thomas Jr. --$tThe Far Field (1964) --$g31.$t"The Longing": Alienation, Place, and the Desire for Home /$rKatharine Bubel --$g32.$tSpirit, Self, and Shorebirds: The Pacific Pastoral of "Meditation at Oyster River" /$rNicholas Bradley --$g33.$t"Journey to the Interior," "The Longing," and the Search for a Definitive Text /$rNeal Bowers --$g34.$tMnetha in "The Long Waters" /$rJohn J. Mckenna --$g35.$tThe Ecological Vision of "The Far Field" /$rBernard Quetchenbach --$g36.$tNature Mysticism in "The Rose" /$rEdward Morin --$g37.$t"The Abyss": Finding the Next Life in This One /$rTrenton Hickman --$g38.$t"Otto": An Insight into Roethke's Poetic Vision /$rJeff Vande Zande --$g39.$t"The Meadow Mouse": A Poem of Compassion /$rNorman Chaney --$g40.$tThe Zoopoetics of "The Pike" /$rAaron M. Moe --$g41.$tRoethke's Dark Society: Revisiting "In a Dark Time" /$rWalter Kalaidjian --$g42.$t"I Am Not Yet Undone": Navigating the Journey from Life to Death in "Infirmity" /$rLaura Gill --$g43.$tSymbolism and the Mystic's Way in "The Tree, the Bird" /$rChristopher Giroux --$g44.$t"Once More, the Round": Roethke's Last Word /$rWilliam Barillas. 330 $a"This volume is the first to reconsider Roethke's work in terms of the expanded critical approaches to literature that have emerged since his death in 1963. The forty-four contributors include highly respected literary scholars, critics, and writers, such as Peter Balakian, Camille Paglia, Jay Parini, and David Wojahn, who collectively make a case for Roethke's poetry as a complete, unified, and evolving body of work. The accessible essays employ a number of approaches, including formalism, ecocriticism, reader-response, and feminist critique to explicate the poetics, themes, and the biographical, historical, cultural, and literary contexts of Roethke's work"--$cProvided by publisher. 676 $a811.52 700 $aBarillas$b William David$01182331 701 $aHirsch$b Edward$01637693 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910808493603321 996 $aA field guide to the poetry of Theodore Roethke$93979665 997 $aUNINA