LEADER 03279oam  2200505   450 
001 9910808429603321
005 20170523091620.0
010   $a988-220-911-4
010   $a988-220-900-9
035   $a(OCoLC)814551449
035   $a(MiFhGG)GVRLA07L
035   $a(EXLCZ)992670000000169559
100   $a20121023d2012      uy             0
101 0 $aeng
135   $aurun|---uuuua
181   $ctxt
182   $cc
183   $acr
200 00$aSoutheast Asian independent cinema /$fedited by Tilman Baumgartel
205   $a1st edition.
210   $aHong Kong $cHong Kong University Press ;$aLondon $cEurospan [distributor]$d2012
210  1$aHong Kong :$cHong Kong University Press,$d2012.
215   $a1 online resource (304 pages)
225 1 $aTransAsia: screen cultures
300   $aDescription based upon print version of record.
311   $a988-8083-60-0 
320   $aIncludes bibliographical references and index.
327   $aContents; Notes on Contributors; List of Figures; Acknowledgements; Introduction; Part I: Essays; 01: Southeast Asian Independent Cinema; 02: Imagined Communities, Imagined Worlds; 03: Hinterland, Heartland, Home; 04: Stealing Moments; 05: Fiction, Interrupted; 06: Cinema, Sexuality and Censorship in Post-Soeharto Indonesia; 07: Independent versus Mainstream Islamic Cinema in Indonesia; 08: Observational Documentary Comes to Indonesia; Part II: Documents; 09: Four Manifestos; 10: Why Ciplak ended up being made; 11: Singapore GaGa Tours Singapore; 12: The Downside of Digital
327   $a13: I Sinema ManifestoPart III: Interviews; 14: "An inexpensive film should start with an inexpensive story"; 15: "Digital is liberation theology"; 16: "I make films for myself""; 17: "I love making films , but not getting films made"; 18: "I want the people of Indonesia to see a different point of view, whether they agree with it or not"; 19: "I do not have anything against commercial films""; 20: The Page and the (Video) Camera; 21: "I want you to forget about the race of the protagonists half an hour into the film"; Notes; Bibliography; Index
330   $aThe rise of independent cinema in Southeast Asia, following the emergence of a new generation of filmmakers there, is among the most significant recent developments in global cinema. The advent of affordable and easy access to digital technology has empowered startling new voices from a part of the world rarely heard or seen in international film circles. The appearance of fresh, sharply alternative, and often very personal voices has had a tremendous impact on local film production. This book documents these developments as a genuine outcome of the democratization and liberalization of film p
410  0$aTransAsia: screen cultures.
606   $aIndependent films$zSoutheast Asia
606   $aIndependent filmmakers$zSoutheast Asia
606   $aMotion picture industry$zSoutheast Asia
615  0$aIndependent films
615  0$aIndependent filmmakers
615  0$aMotion picture industry
676   $a778.53
702   $aBaumga?rtel$b Tilman$f1966-
801  0$bMiFhGG
801  1$bMiFhGG
906   $aBOOK
912   $a9910808429603321
996   $aSoutheast Asian independent cinema$91547192
997   $aUNINA