LEADER 03998nam 2200781 450 001 9910808367203321 005 20200520144314.0 010 $a0-253-01105-1 010 $a0-253-01112-4 035 $a(CKB)2550000001128776 035 $a(EBL)1463626 035 $a(OCoLC)860626482 035 $a(SSID)ssj0001002092 035 $a(PQKBManifestationID)11534022 035 $a(PQKBTitleCode)TC0001002092 035 $a(PQKBWorkID)10968102 035 $a(PQKB)11208294 035 $a(MdBmJHUP)muse32117 035 $a(Au-PeEL)EBL1463626 035 $a(CaPaEBR)ebr10775845 035 $a(CaONFJC)MIL529410 035 $a(OCoLC)868957455 035 $a(MiAaPQ)EBC1463626 035 $a(PPN)18300650X 035 $a(EXLCZ)992550000001128776 100 $a20130624h20142014 ub 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 00$aLocating the moving image $enew approaches to film and place /$fedited by Julia Hallam and Les Roberts 210 1$aBloomington :$cIndiana University Press,$d[2014] 210 4$dİ2014 215 $a1 online resource (277 p.) 225 1 $aThe spatial humanities 300 $aDescription based upon print version of record. 311 $a0-253-01097-7 311 $a1-299-98159-3 320 $aIncludes bibliographical references and index. 327 $aCover; Title Page; Copyright Page; Table of Contents; · Acknowledgments; 1. Film and Spatiality: Outline of a New Empiricism; 2. Getting to "Going to the Show"; 3. Space, Place, and the Female Film Exhibitor: The Transformation of Cinema in Small-Town New Hampshire during the 1910's; 4. Mapping Film Exhibition in Flanders (1920-1990): A Diachronic Analysis of Cinema Culture Combined with Demographic and Geographic Data; 5. Mapping the Ill-Disciplined? Spatial Analyses and Historical Change in the Postwar Film Industry 327 $a6. Mapping Film Audiences in Multicultural Canada: Examples from the Cybercartographic Atlas of Canadian Cinema 7. The Geography of Film Production in Italy: A Spatial Analysis Using GIS; 8. Mapping the "City" Film 1930-1980; 9. Retracing the Local: Amateur Cine Culture and Oral Histories; 10. Beyond the Boundary: Vernacular Mapping and the Sharing of Historical Authority; 11. Afterword: Toward a Spatial History of the Moving Image; · Contributors; · Index 330 $aLeading scholars in the interdisciplinary field of geo-spatial visual studies examine the social experience of cinema and the different ways in which film production developed as a commercial enterprise, as a leisure activity, and as modes of expression and communication. Their research charts new pathways in mapping the relationship between film production and local film practices, theatrical exhibition circuits and cinema going, creating new forms of spatial anthropology. Topics include cinematic practices in rural and urban communities, development of cinema by amateur filmmakers, and us 410 0$aSpatial humanities (Indiana University Press) 606 $aMotion picture industry 606 $aFilm criticism$xPhilosophy 606 $aMotion pictures$xProduction and direction 606 $aMotion pictures$xSocial aspects 606 $aArts and geography 606 $aMotion picture audiences 606 $aSpatial analysis (Statistics) 615 0$aMotion picture industry. 615 0$aFilm criticism$xPhilosophy. 615 0$aMotion pictures$xProduction and direction. 615 0$aMotion pictures$xSocial aspects. 615 0$aArts and geography. 615 0$aMotion picture audiences. 615 0$aSpatial analysis (Statistics) 676 $a791.43/62 701 $aHallam$b Julia$f1952-$0893446 701 $aRoberts$b Les$f1966-$01156550 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910808367203321 996 $aLocating the moving image$93916205 997 $aUNINA