LEADER 04203nam 2200781 450 001 9910808285403321 005 20231206211126.0 010 $a1-281-99647-5 010 $a9786611996475 010 $a1-4426-8170-5 024 7 $a10.3138/9781442681705 035 $a(CKB)2430000000001843 035 $a(EBL)3255217 035 $a(SSID)ssj0000302704 035 $a(PQKBManifestationID)11211633 035 $a(PQKBTitleCode)TC0000302704 035 $a(PQKBWorkID)10267016 035 $a(PQKB)10271079 035 $a(CaBNvSL)thg00600930 035 $a(DE-B1597)464992 035 $a(OCoLC)1013944237 035 $a(OCoLC)944177341 035 $a(DE-B1597)9781442681705 035 $a(Au-PeEL)EBL4672097 035 $a(CaPaEBR)ebr11257780 035 $a(OCoLC)958515979 035 $a(VaAlCD)20.500.12592/frm2c0 035 $a(schport)gibson_crkn/2009-12-01/6/418567 035 $a(MiAaPQ)EBC4672097 035 $a(OCoLC)244768733 035 $a(MdBmJHUP)musev2_105378 035 $a(MiAaPQ)EBC3255217 035 $a(EXLCZ)992430000000001843 100 $a20160914h20042004 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe material, the real, and the fractured self $esubjectivity and representation from Rimbaud to Reda /$fSusan Harrow 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2004. 210 4$dİ2004 215 $a1 online resource (278 p.) 225 0 $aUniversity of Toronto Romance Series 300 $aDescription based upon print version of record. 311 $a0-8020-8722-1 320 $aIncludes bibliographical references and index. 327 $aDebris, mess and the modernist self: RImbaud from Poesies to the Illuminations -- Material fragments, autobiographical fantasy: reading Apollinaire's Calligrammes -- From culture critique to poetic capital: Ponge's things-in-language -- Sweeping the (sub)urban savannah: everyday culture and the Readean sublime. 330 $aIn The Material, the Real, and the Fractured Self, Susan Harrow explores the fascinating interrelation of subjectivity, materiality, and representation in the poetry and related texts of four modern French writers: Arthur Rimbaud, Guillaume Apollinaire, Francis Ponge, and Jacques Reda. She demonstrates the richness and the relevance of modern French poetry for today's readers, putting contemporary thought to work on the fractured self emerging in the post-Baudelairian lyric. Harrow addresses the widely perceived marginalization of poetry in the writing/theory debate, demonstrating that the emergence of a self at once shaped by and straining against material, historical, subjective, and cultural impediments reveals fertile relations between theory and poetry. Where purer forms of postmodernist thinking have stressed the dissolution and dispersal of the human subject, new approaches informed by cultural studies, autobiography theory, and gender studies work to recover fictions of experience and retrieve submerged narratives of the self. Probing the activity of textual self-recovery among the debris of history and fantasy, visuality and desire, and culture and corporeality, The Material, the Real, and the Fractured Self imparts something of the startling beauty and the raw urgency of poetry writing across the broad modern period. 410 0$aUniversity of Toronto romance series 606 $aFrench poetry$y20th century$xHistory and criticism 606 $aFrench poetry$y19th century$xHistory and criticism 606 $aModernism (Literature)$zFrance 607 $aFrance$2fast 608 $aCriticism, interpretation, etc. 608 $aElectronic books. 615 0$aFrench poetry$xHistory and criticism. 615 0$aFrench poetry$xHistory and criticism. 615 0$aModernism (Literature) 676 $a841.9109112 700 $aHarrow$b Susan$01624322 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910808285403321 996 $aThe material, the real, and the fractured self$94024800 997 $aUNINA