LEADER 03470nam 2200565 450 001 9910808175803321 005 20161010011029.0 010 $a1-78533-837-4 024 7 $a10.1515/9781785331138 035 $a(CKB)3710000000840606 035 $a(EBL)4415188 035 $a(MiAaPQ)EBC4415188 035 $a(DE-B1597)637538 035 $a(DE-B1597)9781785331138 035 $a(EXLCZ)993710000000840606 100 $a20161017h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 00$aGerman television $ehistorical and theoretical approaches /$fedited by Larson Powell and Robert Shandley 210 1$aNew York ;$aOxford, [England] :$cBerghahn,$d2016. 210 4$dİ2016 215 $a1 online resource (242 p.) 225 0 $aFilm Europa: German Cinema in an International Context 300 $aDescription based upon print version of record. 311 $a1-78533-112-4 311 $a1-78533-113-2 320 $aIncludes bibliographical references and index. 327 $aContents; Figures and Tables; Introduction - German Television: Culture, Technology, or Cultural Technology?; Part I - Technical Prehistory and Theoretical Approaches; Chapter 1 - The Third Image: Contingencies and Ruptures in the Technological History of Television; Chapter 2 - Boredom, War, and Paradox: German Theories of Television; Part II - GDR Television; Chapter 3 - ""Just Like in the West, Except Different"": Television and Its Relationship to Film in the Context of 1950s GDR Development; Chapter 4 - Adventures in Stagnation: Gottfried Kolditz's Unfilmed Project Zimtpiraten 327 $aPart III - Television in the Federal Republic: Auteurist TVChapter 5 - ""A Challenge, Maybe the Greatest for a Filmmaker"": Televisual Perspectives on Rainer Werner Fassbinder's Martha (1974); Chapter 6 - Nah am Fern: Kluge TV; Part IV - Present and Future Perspectives; Chapter 7 - Television History in Germany: Media-Political and Media-Ethical Aspects; Chapter 8 - Germany as TV Show Import Market; Chapter 9 - Heritage, Heimat, and German Historical ""Event Television"": Nico Hofmann's teamWorx; Chapter 10 - Once Upon a Crime: Tatort, Germany's Longest Running Police Procedural; Bibliography 327 $aIndex 330 $aLong overlooked by scholars and critics, the history and aesthetics of German television have only recently begun to attract serious, sustained attention, and then largely within Germany. This ambitious volume, the first in English on the subject, provides a much-needed corrective in the form of penetrating essays on the distinctive theories, practices, and social-historical contexts that have defined television in Germany. Encompassing developments from the dawn of the medium through the Cold War and post-reunification, this is an essential introduction to a rich and varied media tradition. 410 0$aFilm Europa 606 $aTelevision broadcasting$zGermany$xHistory 606 $aTelevision$xSocial aspects$zGermany 615 0$aTelevision broadcasting$xHistory. 615 0$aTelevision$xSocial aspects 676 $a791.450943 686 $aAP 33210$2rvk 702 $aPowell$b Larson$f1960- 702 $aShandley$b Robert 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910808175803321 996 $aGerman television$93987560 997 $aUNINA