LEADER 01916nam 2200433 450 001 9910808129603321 005 20200520144314.0 010 $a0-253-03799-9 035 $a(CKB)4100000005963207 035 $a(MiAaPQ)EBC5500289 035 $a(OCoLC)1037897236 035 $a(MdBmJHUP)muse70235 035 $a(Au-PeEL)EBL5500289 035 $a(EXLCZ)994100000005963207 100 $a20180921d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 12$aA theory of virtual agency for Western art music /$fRobert S. Hatten 210 1$aBloomington, Indiana :$cIndiana University Press,$d[2018] 210 4$dİ2018 215 $a1 online resource (344 pages) 225 0 $aMusical meaning and interpretation 311 $a0-253-03798-0 311 $a0-253-03797-2 327 $aPrelude: from gesture to virtual agency -- Foundations for a theory of agency -- Virtual environmental forces and gestural energies: actants as agential -- Virtual embodiment: from actants to virtual human agents -- Virtual identity and actorial continuity -- Interlude I: from embodiment to subjectivity -- Staging virtual subjectivity -- Virtual subjectivity and aesthetically warranted emotions -- Staging virtual narrative agency -- Performing agency -- An integrative agential interpretation of Chopin's Ballade in F minor, op. 52 -- Interlude II: hearing agency: a complex cognitive task -- Other perspectives on virtual agency -- Postlude. 606 $aMusic$xPhilosophy and aesthetics 615 0$aMusic$xPhilosophy and aesthetics. 676 $a780.1 700 $aHatten$b Robert S.$01636504 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910808129603321 996 $aA theory of virtual agency for Western art music$93977820 997 $aUNINA