LEADER 01249nam0 22003373i 450 001 CAG1526473 005 20170908093304.0 010 $a9788845244834 100 $a20080314d2007 ||||0itac50 ba 101 | $aita 102 $ait 181 1$6z01$ai $bxxxe 182 1$6z01$an 200 1 $a˜L'Âœalibi di cristallo$fPatricia Highsmith$gtraduzione di Carlo Brera 205 $a3. ed 210 $aMilano$cBompiani$d2007 215 $a264 p.$d19 cm 225 | $aTascabili Bompiani$v266 410 0$1001CFI0000031$12001 $aTascabili Bompiani$v266 500 10$a˜The Âœglass cell$3CFI0010527$9CFIV006585$91484755 700 1$aHighsmith$b, Patricia$3CFIV006585$4070$0439007 702 1$aBrera$b, Carlo$f <1946- >$3LO1V291066 790 1$aMorgan$b, Claire$3RAVV676779$zHighsmith, Patricia 801 3$aIT$bIT-NA0079$c20080314 850 $aIT-NA0079 912 $aCAG1526473 950 0$aBiblioteca Nazionale Vittorio Emanuele III$d BNMAGAZZINO 2008 A 0468$e BN. 0017567735 N 1 v.$fT $h20080313$i20080313 951 $aBiblioteca Nazionale Vittorio Emanuele III$b BN2008000107058AC2008-03-11Direzione X Albergo 977 $a BN 996 $aGlass cell$91484755 997 $aUNISANNIO LEADER 03669nam 2200709 450 001 9910808089303321 005 20230721031929.0 010 $a1-383-03569-5 010 $a1-281-14964-0 010 $a9786611149642 010 $a0-19-152721-1 010 $a1-4356-3109-9 035 $a(CKB)1000000000482076 035 $a(EBL)431004 035 $a(SSID)ssj0000207144 035 $a(PQKBManifestationID)12056012 035 $a(PQKBTitleCode)TC0000207144 035 $a(PQKBWorkID)10229062 035 $a(PQKB)11638088 035 $a(Au-PeEL)EBL431004 035 $a(CaPaEBR)ebr11197685 035 $a(CaONFJC)MIL830009 035 $a(OCoLC)192168063 035 $a(Au-PeEL)EBL5121589 035 $a(CaONFJC)MIL114964 035 $a(OCoLC)1027198960 035 $a(MiAaPQ)EBC431004 035 $a(EXLCZ)991000000000482076 100 $a20170106h20072007 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMusic, language, and cognition $eand other essays in the aesthetics of music /$fPeter Kivy 210 1$aOxon, [England] ;$aNew York, New York :$cClarendon Press :$cOxford University Press,$d2007. 210 4$d©2007 215 $a1 online resource (260 p.) 300 $aDescription based upon print version of record. 311 $a0-19-921765-3 311 $a0-19-921766-1 320 $aIncludes bibliographical references and index. 327 $aContents; I. HISTORY; 1. Mainwaring's Handel: Its Relation to British Aesthetics; 2. Herbert Spencer and a Musical Dispute; II. OPERA AND FILM; 3. Handel's Operas: The Form of Feeling and the Problem of Appreciation; 4. Anti-Semitism in Meistersinger?; 5. Speech, Song, and the Transparency of Medium: On Operatic Metaphysics; 6. Music in the Movies: A Philosophical Inquiry; III. PERFORMANCE; 7. On the Historically Informed Performance; 8. Ars perfecta: Toward Perfection in Musical Performance?; IV. INTERPRETATION 327 $a9. Another Go at the Meaning of Music: Koopman, Davies, and the Meanings of ''Meaning''10. Another Go at Musical Profundity: Stephen Davies and the Game of Chess; 11. From Ideology to Music: Leonard Meyer's Theory of Style Change; 12. Sibley's Last Paper; 13. In Defense of Musical Representation: Music, Representation, and the Hybrid Arts; 14. Music, Language, and Cognition: Which Doesn't Belong?; Bibliography; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; V; W 330 $aMusic, Language, and Cognition is the third collection of Peter Kivy's seminal papers in the philosophy of music. In essays which span his earliest work in the field and his more recent contributions to journals, anthologies, and conference proceedings, Kivy considers the origin of music, the medium of expression in opera, the role of music in film, the nature of an 'ideal' performance, and the question of whether absolute music has a meaning, among other issues. Rich with critical analysis and informed by the history of both philosophy and music, this volume will be of interest to anyone who 606 $aMusic$xPhilosophy and aesthetics 606 $aMusic$xPsychological aspects 606 $aCognition 606 $aMusic and language 615 0$aMusic$xPhilosophy and aesthetics. 615 0$aMusic$xPsychological aspects. 615 0$aCognition. 615 0$aMusic and language. 676 $a781.1/7 700 $aKivy$b Peter$0598495 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910808089303321 996 $aMusic, language and cognition$91739794 997 $aUNINA