LEADER 03234nam 22006494a 450 001 9910808087903321 005 20240410135709.0 010 $a1-282-07285-4 010 $a9786612072857 010 $a0-253-11203-6 035 $a(CKB)1000000000362322 035 $a(EBL)288363 035 $a(OCoLC)476041224 035 $a(SSID)ssj0000179696 035 $a(PQKBManifestationID)11179344 035 $a(PQKBTitleCode)TC0000179696 035 $a(PQKBWorkID)10139336 035 $a(PQKB)10370144 035 $a(MiAaPQ)EBC288363 035 $a(OCoLC)121671152 035 $a(MdBmJHUP)muse16747 035 $a(Au-PeEL)EBL288363 035 $a(CaPaEBR)ebr10161031 035 $a(CaONFJC)MIL207285 035 $a(EXLCZ)991000000000362322 100 $a20060216d2006 ub 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aInscription and modernity$b[electronic resource] $efrom Wordsworth to Mandelstam /$fJohn MacKay 205 $a1st ed. 210 $aBloomington $cIndiana University Press$dc2006 215 $a1 online resource (321 p.) 300 $aDescription based upon print version of record. 311 $a0-253-34749-1 320 $aIncludes bibliographical references (p. [281]-295) and index. 327 $aCover; Contents; Acknowledgments; Introduction: Inscription and Modernity; 1. Lifeless Things: Being and Structure in 39Romantic Inscription; 2. Empty and Full: Poetry, Self, and Society in 94Lamartine, Baudelaire, and Poncy; 3. Kernels of the Acropolis: Poetry and Modernization 140in Blok, Kliuev, and Khlebnikov; 4. Unkind Weight: Mandelstam, History, and 170Catastrophe; Conclusion; Coda: In Descending Sizes; Notes; Works Cited and Consulted; Index 330 $aInscription and Modernity charts the vicissitudes of inscriptive poetry produced in the midst of the great and catastrophic political, social, and intellectual upheavals of the late 18th to mid 20th centuries. Drawing on the ideas of Geoffrey Hartman, Perry Anderson, Fredric Jameson, and Jacques Rancière among others, John MacKay shows how a wide range of Romantic and post-Romantic poets (including Wordsworth, Clare, Shelley, Hölderlin, Lamartine, Baudelaire, Blok, Khlebnikov, Mandelstam, and Rolf Dieter Brinkmann) employ the generic resources of inscription both to justify their writing and to attract a readership, during a complex historical phase when the rationale for poetry and the identity of audiences were matters of intense yet productive doubt. 606 $aEuropean poetry$y20th century$xHistory and criticism 606 $aEuropean poetry$y19th century$xHistory and criticism 606 $aLyric poetry$xHistory and criticism 606 $aInscriptions 615 0$aEuropean poetry$xHistory and criticism. 615 0$aEuropean poetry$xHistory and criticism. 615 0$aLyric poetry$xHistory and criticism. 615 0$aInscriptions. 676 $a809.1/034 700 $aMacKay$b John$g(John Kenneth)$0818939 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910808087903321 996 $aInscription and modernity$94013099 997 $aUNINA