LEADER 03132nam 2200589 a 450 001 9910808072403321 005 20240410184353.0 010 $a1-283-33351-1 010 $a9786613333513 010 $a1-86189-839-8 035 $a(CKB)2550000000065214 035 $a(SSID)ssj0000645083 035 $a(PQKBManifestationID)12248158 035 $a(PQKBTitleCode)TC0000645083 035 $a(PQKBWorkID)10682720 035 $a(PQKB)10676950 035 $a(MiAaPQ)EBC3031605 035 $a(Au-PeEL)EBL3031605 035 $a(CaPaEBR)ebr10512367 035 $a(CaONFJC)MIL333351 035 $a(OCoLC)762101584 035 $a(EXLCZ)992550000000065214 100 $a20111202d2004 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aC. R. Mackintosh $ethe poetics of workmanship /$fDavid Brett 205 $a1st ed. 210 $aLondon $cReaktion Books$d[2004] 215 $a1 online resource (152 pages) $cillustrations 225 1 $aEssays in art and culture 300 $aBibliographic Level Mode of Issuance: Monograph 311 0 $a0-948462-22-1 320 $aIncludes bibliographical references. 327 $aThe Poetics of Workmanship Cover -- Contents -- Acknowledgements -- Introduction -- 1-The City and the Context -- 2-Decoration into Structure: The Role of Drawing -- 3-The Poetics of Workmanship -- 4-Modernity and the Interior -- References -- Chronology -- List of Illustrations. 330 $aBetween 1896 and 1906, Charles Rennie Mackintosh (1868-1928) produced a series of buildings and interiors in and around Glasgow of such startling invention that he immediately established himself as one of the truly great figures in early twentieth-century architecture and design. David Brett argues that Mackintosh's originality was grounded in a highly subjective "poetics of workmanship", in which the structure, features, interiors and furnishings of each individual building became subject to a unifying system of forms, metaphors and unconscious associations. The system Mackintosh evolved allowing for the formulation of an almost infinite series of ensembles. After focusing on the various decorative details and interior spaces of Mackintosh's buildings the author reaches to the heart of Mackintosh's poetic system - the suffused eroticism of the sleek, "feminine" and intensely private "white interiors". A notable feature of this persuasive reappraisal of Mackintosh's work is the wealth of photographs by the author showing rarely featured details of buildings, interiors and furnishings. 410 0$aEssays in art and culture. 606 $aDecoration and ornament$zScotland$xArt nouveau 606 $aArts and crafts movement$zScotland 615 0$aDecoration and ornament$xArt nouveau. 615 0$aArts and crafts movement 676 $a720/.92 700 $aBrett$b David$01652933 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910808072403321 996 $aC. R. Mackintosh$94003892 997 $aUNINA