LEADER 03721nam 2200685 a 450 001 9910808057103321 005 20230617003014.0 010 $a1-281-73136-6 010 $a9786611731366 010 $a0-300-13316-2 024 7 $a10.12987/9780300133165 035 $a(CKB)1000000000472118 035 $a(EBL)3419854 035 $a(OCoLC)923587845 035 $a(SSID)ssj0000155787 035 $a(PQKBManifestationID)11147273 035 $a(PQKBTitleCode)TC0000155787 035 $a(PQKBWorkID)10122154 035 $a(PQKB)10862531 035 $a(StDuBDS)EDZ0000165597 035 $a(MiAaPQ)EBC3419854 035 $a(DE-B1597)484837 035 $a(OCoLC)1013938231 035 $a(DE-B1597)9780300133165 035 $a(Au-PeEL)EBL3419854 035 $a(CaPaEBR)ebr10167903 035 $a(EXLCZ)991000000000472118 100 $a20050211d2005 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aFive operas and a symphony$b[electronic resource] $eword and music in Russian culture /$fBoris Gasparov 210 $aNew Haven $cYale University Press$dc2005 215 $a1 online resource (293 p.) 225 1 $aRussian literature and thought 300 $aDescription based upon print version of record. 311 $a0-300-10650-5 320 $aIncludes bibliographical references (p. 219-254) and index. 327 $aSound and discourse : on Russian national musical style -- Farewell to the enchanted garden : Pushkin, Glinka's Ruslan and Ludmila, and Nicholas's Russia -- Eugene Onegin in the age of realism -- Khovanshchina : a musical drama, Russian-style (Wagner and Musorgsky) -- Lost in a symbolist city : multiple chronotypes in Chaikovsky's The queen of spades -- A testimony : Shostakovich's Fourth symphony and the end of Romantic narrative -- "Popolo di Pekino" : Musorgsky's Muscovy in early twentieth-century Europe -- "Prima la musica, poi le parole" : musical genealogy of a national anthem. 330 $aIn this eagerly anticipated book, Boris Gasparov gazes through the lens of music to find an unusual perspective on Russian cultural and literary history. He discusses six major works of Russian music from the nineteenth and twentieth centuries, showing the interplay of musical texts with their literary and historical sources within the ideological and cultural contexts of their times. Each musical work becomes a tableau representing a moment in Russian history, and together the works form a coherent story of ideological and aesthetic trends as they evolved in Russia from the time of Pushkin to the rise of totalitarianism in the 1930s.Gasparov discusses Glinka's Ruslan and Ludmilla (1842), Mussorgsky's Boris Godunov (1871) and Khovanshchina (1881), Tchaikovsky's Eugene Onegin (1878) and The Queen of Spades (1890), and Shostakovich's Fourth Symphony (1934). Offering new interpretations to enhance our understanding and appreciation of these important works, Gasparov also demonstrates how Russian music and cultural history illuminate one another. 410 0$aRussian literature and thought. 606 $aMusic$zRussia$xHistory and criticism 606 $aMusic$zSoviet Union$xHistory and criticism 606 $aOpera$zRussia 606 $aMusic and literature 615 0$aMusic$xHistory and criticism. 615 0$aMusic$xHistory and criticism. 615 0$aOpera 615 0$aMusic and literature. 676 $a780/.947 700 $aGasparov$b B$01114608 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910808057103321 996 $aFive operas and a symphony$93939393 997 $aUNINA