LEADER 03830nam 2200733 450 001 9910808025003321 005 20230120053513.0 010 $a1-315-59279-7 010 $a1-317-10396-3 010 $a1-317-10395-5 010 $a1-4724-1417-9 035 $a(CKB)3710000000093390 035 $a(EBL)1652959 035 $a(SSID)ssj0001132506 035 $a(PQKBManifestationID)12411034 035 $a(PQKBTitleCode)TC0001132506 035 $a(PQKBWorkID)11147958 035 $a(PQKB)10804251 035 $a(Au-PeEL)EBL1652959 035 $a(CaPaEBR)ebr10849039 035 $a(CaONFJC)MIL613104 035 $a(OCoLC)874322423 035 $a(Au-PeEL)EBL5121981 035 $a(CaONFJC)MIL922787 035 $a(OCoLC)1027146812 035 $a(MiAaPQ)EBC1652959 035 $a(EXLCZ)993710000000093390 100 $a20140324h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aLiving politics, making music $ethe writings of Jan Fairley /$fedited by Simon Frith, Stan Rijven and Ian Christie 210 1$aFarnham, Surrey, England ;$aBurlington, Vermont :$cAshgate,$d2014. 210 4$d©2014 215 $a1 online resource (219 p.) 225 1 $aAshgate Popular and Folk Music Series 300 $aIncludes index. 311 $a1-4724-1266-4 327 $aCover; Contents; General Editors' Preface; Acknowledgements; Introduction: Jan Fairley, World Music and Popular Music Studies; Introduction: Jan Fairley and the Circuits of Journalism; Part I Nueva Cancio?n: Writings on Chile; 1 La Nueva Cancio?n Latinoamericana (1984); 2 Alive and Performing in Latin America: An Essay Review (1988); 3 Analysing Performance: Narrative and Ideology in Concerts by ¡Karaxu?! (1989); 4 Inti-Illimani: Living a Life through Making Music (2002); Part II Making Sense of World Music; 5 The 'Local' and 'Global' in Popular Music (2001); 6 Ports of Call 327 $a7 The Songlines Guides8 There is a Place Where Music Really Does Change Lives ... El Sistema (2012); Part III Writings on Cuba; 9 'Ay Di?os, Ampa?rame' ('O God, Protect Me'); 10 Dancing Back to Front: Regeton, Sexuality, Gender and Transnationalism in Cuba (2006); 11 Control Shift (2010); Part IV Profiles of Music-makers; 12 Profiles from fRoots; Afterword: Thanks to Life: Jan Fairley, Musical Scholar and Activist; Index 330 $aThe late Jan Fairley (1949-2012) was a key figure in making world music a significant topic for popular music studies and this book celebrates her contribution to popular music scholarship by gathering her most important work together in a single place. The result is a richly informed and entertaining volume that will be of interest to all scholars in the field while also serving as an excellent introduction for students interested in popular music as a global phenomenon. This is inspiring as well as essential reading. 410 0$aAshgate Popular and Folk Music Series 606 $aWorld music$xHistory and criticism 606 $aPopular music$zChile$xHistory and criticism 606 $aPopular music$xPolitical aspects$zChile$xHistory$y20th century 606 $aPopular music$zCuba$xHistory and criticism 615 0$aWorld music$xHistory and criticism. 615 0$aPopular music$xHistory and criticism. 615 0$aPopular music$xPolitical aspects$xHistory 615 0$aPopular music$xHistory and criticism. 676 $a780.9 700 $aFairley$b Jan$01701729 702 $aFrith$b Simon$f1946- 702 $aRijven$b Stan$f1949- 702 $aChristie$b Ian$f1945- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910808025003321 996 $aLiving politics, making music$94085701 997 $aUNINA