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100   $a20010521d2001      ub         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aRebels on the air $ean alternative history of radio in America /$fJesse Walker
205   $a1st ed.
210   $aNew York $cNew York University Press$dc2001
215   $a1 online resource (326 p.)
300   $aDescription based upon print version of record.
311   $a0-8147-9382-7 
311   $a0-8147-9381-9 
320   $aIncludes bibliographical references (p. 285-312) and index.
327   $a""Cover Page""; ""Title Page""; ""Copyright Page""; ""Contents""; ""Acknowledgments""; ""l Joea???s Garage""; ""2 The First Broadcasters""; ""3 Siberia""; ""4 The a???60s""; ""5 Into the a???70s""; ""6 Money from Washington""; ""7 Free Radio Abroad""; ""8 American Pirates""; ""9 Micro Radio: Every Man a DJ""; ""10 The FCCa???s Wars""; ""11 CB, the Internet, and Beyond""; ""Notes""; ""Index""; ""About the Author""
330   $a Boring DJs who never shut up, and who don't even pick their own records. The same hits, over and over. A constant stream of annoying commercials. How did radio get so dull?   Not by accident, contends journalist and historian Jesse Walker. For decades, government and big business have colluded to monopolize the airwaves, stamping out competition, reducing variety, and silencing dissident voices. And yet, in the face of such pressure, an alternative radio tradition has tenaciously survived.   Rebels on the Air explores these overlooked chapters in American radio, revealing the legal barriers e
606   $aRadio broadcasting$zUnited States$xHistory
606   $aRadio broadcasting policy$zUnited States
606   $aAmateur radio stations$zUnited States
615  0$aRadio broadcasting$xHistory.
615  0$aRadio broadcasting policy
615  0$aAmateur radio stations
676   $a384.54/0973
700   $aWalker$b Jesse$f1970-$01598125
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801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910808006803321
996   $aRebels on the air$93920164
997   $aUNINA