LEADER 02146nam 2200397 450 001 9910807983303321 005 20240102112659.0 010 $a1-62894-332-7 035 $a(CKB)4100000005248264 035 $a(MiAaPQ)EBC5451796 035 $a(EXLCZ)994100000005248264 100 $a20180731d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aFrancis Bacon's hidden hand in Shakespeare's the Merchant of Venice $ea study of law, rhetoric, and authorship /$fChristina G. Waldman 210 1$aNew York :$cAlgora Publishing,$d[2018] 210 4$dİ2018 215 $a1 online resource (326 pages) 311 0 $a1-62894-330-0 320 $aIncludes bibliographical references and index. 327 $aBellario as a cameo : clues -- Trifles and devils : literary precedents -- Two mens in one -- A good pseudonym is hard to prove -- A law professor by any other name -- Law school hypothetical -- Characters, counterparts, and others. Part I -- Characters, counterparts, and others. Part two -- Characters, counterparts, and others. Part III -- Glosses, glanvill, and (pre-)Gratian marriage law, briefly -- "For there is no law under heaven. . ." -- Summary and conclusions -- Encore. 330 $a"Whoever wrote 'The Merchant of Venice' had a great legal mind. Was Francis Bacon the author, or one of the authors, of the play? He had all the knowledge necessary, having studied legal history and serving as a legal counsellor to the Crown. The character of Bellario shares many traits with him, as this book demonstrates. The other characters are also analyzed, along with a broad set of symbols and puns that provide clues"--$cProvided by publisher. 606 $aLaw in literature 615 0$aLaw in literature. 676 $a822.3/3 700 $aWaldman$b Christina G.$f1957-$01622426 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910807983303321 996 $aFrancis Bacon's hidden hand in Shakespeare's the Merchant of Venice$93956269 997 $aUNINA