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100   $a20110329d2011      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 04$aThe new extremism in cinema $efrom France to Europe /$fedited by Tanya C. Horeck, Tina Kendall
205   $a1st ed.
210   $aEdinburgh $cEdinburgh University Press$d2011
215   $a1 online resource (249 p.)
300   $aDescription based upon print version of record.
311   $a0-7486-4160-2 
320   $aIncludes bibliographical references and index.
327   $aCover; Copyright; Contents; Acknowledgements; Chapter 1 Introduction; Chapter 2 Flesh and Blood: Sex and Violence in Recent French Cinema; PART I French Cinema and the NewExtremism; Chapter 3 The Wounded Screen; Chapter 4 Reframing Bataille: On Tacky Spectatorship in the New European Extremism; Chapter 5 Beyond Anti-Americanism, Beyond Euro-Centrism: Locating Bruno Dumont's Twentynine Palms in the Context of European Cinematic Extremism; PART II Becoming Animal: Posthumanism and the New Extremism; Chapter 6 Shadows of Being in Sombre: Archetypes, Wolf-men and Bare Life
327   $aChapter 7 Eastern Extreme: The Presentation of Eastern Europe as a Site of Monstrosity in La Vie nouvelle and Import/ExportChapter 8 Naked Women, Slaughtered Animals: Ulrich Seidl and the Limits of the Real; PART III Watching the Extreme: Cultural Reception; Chapter 9 Watching Rape, Enjoying Watching Rape . . .: How Does a Study of Audience Cha(lle)nge Mainstream Film Studies Approaches?; Chapter 10 Censorship, Reception and the Films of Gaspar Noe?: The Emergence of the New Extremism in Britain; Chapter 11 'Sex and Violence from a Pair of Furies': The Scandal of Baise-moi
327   $aChapter 12 'Close Your Eyes and Tell Me What You See': Sex and Politics in Lukas Moodysson's FilmsPART IV Ethics and Spectatorship in the New Extremism; Chapter 13 Lars von Trier's Dogville: A Feel-Bad Film; Chapter 14 A 'Passion for the Real': Sex, Affect and Performance in the Films of Andrea Arnold; Chapter 16 On the Unwatchable; Afterword; Chapter 17 More Moralism from that 'Wordy Fuck'; Notes on Contributors; Works Cited; Index
330   $aExplosive images of sex and violence characterise what has come to be known as the 'new extremism' in contemporary European cinema. This collection of essays is devoted to the new extremism in contemporary European cinema and will critically interrogate this highly contentious body of work.
606   $aMotion pictures$zEurope$xHistory
606   $aSex in motion pictures
606   $aViolence in motion pictures
615  0$aMotion pictures$xHistory.
615  0$aSex in motion pictures.
615  0$aViolence in motion pictures.
676   $a791.4361
701   $aHoreck$b Tanya$0946412
701   $aKendall$b Tina$01700061
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910807978203321
996   $aThe new extremism in cinema$94082773
997   $aUNINA