LEADER 02354nam 2200577 a 450 001 9910807896703321 005 20240513211807.0 010 $a9786612977763 010 $a1-282-97776-8 010 $a0-19-971174-7 035 $a(CKB)2560000000296530 035 $a(EBL)665439 035 $a(OCoLC)704412394 035 $a(SSID)ssj0000467190 035 $a(PQKBManifestationID)11310840 035 $a(PQKBTitleCode)TC0000467190 035 $a(PQKBWorkID)10490116 035 $a(PQKB)10607235 035 $a(StDuBDS)EDZ0000023693 035 $a(MiAaPQ)EBC665439 035 $a(Au-PeEL)EBL665439 035 $a(CaPaEBR)ebr10443159 035 $a(CaONFJC)MIL297776 035 $a(EXLCZ)992560000000296530 100 $a20090218d1989 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBeethoven's Diabelli variations /$fWilliam Kinderman 205 $a1st ed. 210 $aOxford $cOxford University Press$d1989 215 $a1 online resource (247 p.) 225 1 $aStudies in musical genesis and structure 300 $aDescription based upon print version of record. 311 $a0-19-534236-4 311 $a0-19-985174-3 320 $aIncludes bibliographical references and index. 327 $apt. 1. The process of composition -- pt. 2. The compositional style -- pt. 3. Transcriptions of the sketches. 330 $aThe Thirty-three Variations on a Waltz by Diabelli, Op. 120, represent Beethoven's most extraordinary achievement in the art of variation-writing. In their originality and power of invention, they stand beside other late Beethoven masterpieces such as the Ninth Symphony, the Missa Solemnis, and the last quartets. William Kinderman's study of the compositional history of the work includes the first extended investigation and reconstruction of the sketches and drafts, and reveals, contrary to earlier views of its chronology, that it was actually begun in 1819, then put aside, and completed in 18 410 0$aStudies in musical genesis and structure. 676 $a786.21825 700 $aKinderman$b William$0788724 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910807896703321 996 $aBeethoven's Diabelli variations$94012828 997 $aUNINA