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200 1 $aCronologia degli spettacoli lirici$eTeatro Regio Parma$fa cura di Valerio Cervetti, Claudio Del Monte e Vincenzo Segreto
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200 10$aWhat was history? $ethe art of history in early modern Europe /$fAnthony Grafton$b[electronic resource]
205   $aCanto Classics edition.
210  1$aCambridge :$cCambridge University Press,$d2012.
215   $a1 online resource (ix, 319 pages) $cdigital, PDF file(s)
225 1 $aCanto classics
300   $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015).
311   $a1-107-60615-2 
320   $aIncludes bibliographical references (pages 255-304) and index.
327   $a1. Historical criticism in early modern Europe -- 2. The origins of the Ars historica: a question mal posee? -- 3. Method and madness in the Ars historica: three case studies -- 4. Death of a genre.
330   $aFrom the late fifteenth century onwards, scholars across Europe began to write books about how to read and evaluate histories. These pioneering works grew from complex early modern debates about law, religion and classical scholarship. Anthony Grafton's book is based on his Trevelyan Lectures of 2005, and it proves to be a powerful and imaginative exploration of some central themes in the history of European ideas. Grafton explains why so many of these works were written, why they attained so much insight - and why, in the centuries that followed, most scholars gradually forgot that they had existed. Elegant and accessible, What Was History? is a deliberate evocation of E. H. Carr's celebrated Trevelyan Lectures, What Is History?.
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606   $aHistory$xPhilosophy
615  0$aHistoriography$xHistory.
615  0$aHistory$xPhilosophy.
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