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200 10$aContemporary Hollywood masculinities $egender, genre, and politics /$fSusanne Kord and Elisabeth Krimmer
205   $a1st ed.
210   $aNew York $cPalgrave Macmillan$d2011
215   $a1 online resource (291 p.)
300   $aDescription based upon print version of record.
311   $a1-349-34141-X 
311   $a0-230-33841-0 
320   $aIncludes bibliographical references and index.
327   $aIntroduction: Men in trouble -- Lawlessness and disorder: cops and other serial killers -- Fathers, crises and nations -- Cowboys, myths and audiences -- Real men? Superheroes, leadership and the war on terror -- Spies, paranoia, and torture -- Soldiers from World War II to Iraq -- New men? Rogues, race, and hegemony -- Lovers: men, women, and gender equality -- Losers, meritocracy and identification -- Conclusion.
330   $aKord and Krimmer investigate the most common male types - cops, killers, fathers, cowboys, superheroes, spies, soldiers, rogues, lovers, and losers - by tracing changing concepts of masculinity in popular Hollywood blockbusters from 1992 to 2008 - the Clinton and Bush eras - against a backdrop of contemporary political events, social developments, and popular American myths. Their in-depth analysis of over sixty films, from The Matrix and Iron Man to Pirates of the Caribbean and The Lord of the Rings, shows that movies, far from being mere entertainment, respond directly to today's social and political realities, from consumerism to "family values" to the War on Terror.
606   $aMasculinity in motion pictures
606   $aMen in motion pictures
606   $aMotion pictures$zUnited States$xHistory$y20th century
606   $aMotion pictures$zUnited States$xHistory$y21st century
615  0$aMasculinity in motion pictures.
615  0$aMen in motion pictures.
615  0$aMotion pictures$xHistory
615  0$aMotion pictures$xHistory
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