LEADER 02105nam 2200589Ia 450 001 9910777013103321 005 20230922202405.0 010 $a0-19-773933-4 010 $a1-280-56410-5 010 $a9786610564101 010 $a0-19-535528-8 035 $a(CKB)1000000000415510 035 $a(EBL)271554 035 $a(OCoLC)476007593 035 $a(SSID)ssj0000297731 035 $a(PQKBManifestationID)11228033 035 $a(PQKBTitleCode)TC0000297731 035 $a(PQKBWorkID)10342994 035 $a(PQKB)11771233 035 $a(Au-PeEL)EBL271554 035 $a(CaPaEBR)ebr10279007 035 $a(CaONFJC)MIL56410 035 $a(OCoLC)935260457 035 $a(MiAaPQ)EBC271554 035 $a(EXLCZ)991000000000415510 100 $a19960507d1997 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aGod inside out $eS?iva's game of dice /$fDon Handelman and David Shulman ; photographs by Carmel Berkson 210 1$aNew York :$cOxford University Press,$d1997. 215 $a1 online resource (232 pages) 311 0 $a0-19-510845-0 311 0 $a0-19-510844-2 320 $aIncludes bibliographical references (p. 203-212) and index. 327 $aContents; I: When S?iva Plays; II: The Andhaka Outcome; III: Melting and Marrying; IV: Conclusion; References; Index 330 $aSiva, a Hindu god, plays dice with his wife, to whom he habitually loses. The result of the game is our world, which turns the god inside-out and changes his internal composition. This book aims to show the logic implicit in this theology of play, fragmentation, divine self-knowledge and love. 606 $aDice games$zIndia 615 0$aDice games 676 $a294.52113 676 $a294.5213 700 $aHandelman$b Don$0600381 701 $aShulman$b David Dean$f1949-$0919288 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910777013103321 996 $aGod inside out$93821814 997 $aUNINA LEADER 02666oam 2200553 450 001 9910807791203321 005 20170523091620.0 010 $a1-282-75024-0 010 $a9786612750243 010 $a988-220-528-3 035 $a(OCoLC)664682162 035 $a(MiFhGG)GVRL4QTX 035 $a(EXLCZ)992670000000067436 100 $a20100408d2010 uy 0 101 0 $aeng 135 $aurun|---uuuua 181 $ctxt 182 $cc 183 $acr 200 00$aArt, politics, and commerce in Chinese cinema /$fedited by Ying Zhu and Stanley Rosen 210 $aHong Kong $cHong Kong University Press$d2010 210 1$aHong Kong :$cHong Kong University Press ;$aLondon :$cEurospan [distributor],$d2010. 215 $a1 online resource (xvi, 292 pages) $cillustrations 225 0 $aGale eBooks 300 $aDescription based on print version record. 311 $a962-209-176-8 311 $a962-209-175-X 320 $aIncludes bibliographical references and index. 327 $apt. 1. Film industry : local and global markets -- pt. 2. Film politics : genre and reception -- pt. 3. Film art : style and authorship. 330 $aArt, politics and commerce are intertwined everywhere, but in China the interplay is explicit, intimate and elemental, and nowhere more so than in the film industry. Understanding this interplay in the era of market reform and globalization is essential to understanding mainland Chinese cinema. This interdisciplinary book provides a comprehensive reappraisal of Chinese cinema, surveying the evolution of film production and consumption in mainland China as a product of shifting relations between art, politics, and commerce. Within these arenas, each of twelve chapters treats a particular histor 606 $aMotion pictures$zChina$xHistory 606 $aMotion picture industry$xPolitical aspects$zChina$xHistory 606 $aMotion picture industry$xEconomic aspects$zChina$xHistory 606 $aMotion picture industry$xSocial aspects$zChina$xHistory 606 $aArt and motion pictures$zChina$xHistory 615 0$aMotion pictures$xHistory. 615 0$aMotion picture industry$xPolitical aspects$xHistory. 615 0$aMotion picture industry$xEconomic aspects$xHistory. 615 0$aMotion picture industry$xSocial aspects$xHistory. 615 0$aArt and motion pictures$xHistory. 676 $a384/380951 702 $aZhu$b Ying$f1965- 702 $aRosen$b Stanley$f1942- 801 0$bMiFhGG 801 1$bMiFhGG 906 $aBOOK 912 $a9910807791203321 996 $aArt, politics, and commerce in Chinese cinema$93973142 997 $aUNINA