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100   $a20120315d2012      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aPost-impressionism /$fNathalia Brodskai?a
205   $a1st ed.
210   $aNew York $cParkstone International$d[2012?]
215   $a1 online resource (200 p.)
225 1 $aArt of century collection
300   $aIncludes index.
311   $a1-84484-746-2 
320   $aIncludes bibliographical references and index.
327   $aCONTENTS; INTRODUCTION; The Technical and Scientific Revolution; Post-Impressionism and its Contributions; MAJOR ARTISTS; PAUL CE?ZANNE (1839-1906); NEO-IMPRESSIONISM; VINCENT VAN GOGH (1853-1890); PAUL GAUGUIN (1848-1903); HENRI DE TOULOUSE-LAUTREC (1864-1901); THE NABIS; NOTES; INDEX
330   $aWhile Impressionism marked the first steps toward modern painting by revolutionising an artistic medium stifled by academic conventions, Post-Impressionism, even more revolutionary, completely liberated colour and opened it to new, unknown horizons. Anchored in his epoch, relying on the new chromatic studies of Michel Euge?ne Chevreul, Georges Seurat transcribed the chemist's theory of colours into tiny points that created an entire image. With his heavy strokes, Van Gogh illustrated the midday sun, while Ce?zanne renounced perspective. Rich in its variety and in the singularity of its artists, 
410  0$aArt of century collection.
606   $aPost-impressionism (Art)
606   $aPost-impressionism (Art)$vPictorial works
615  0$aPost-impressionism (Art)
615  0$aPost-impressionism (Art)
676   $a759
700   $aBrodskai?a$b N. V$g(Natal?i?a Valentinovna)$0863734
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910807674803321
996   $aPost-impressionism$94010396
997   $aUNINA