LEADER 04163nam 2200661Ia 450 001 9910807662803321 005 20240418004503.0 010 $a1-4526-0418-5 010 $a1-283-29251-3 010 $a9786613292513 010 $a0-300-17835-2 024 7 $a10.12987/9780300178357 035 $a(CKB)2550000000056872 035 $a(OCoLC)758390652 035 $a(CaPaEBR)ebrary10502587 035 $a(SSID)ssj0000536158 035 $a(PQKBManifestationID)11341992 035 $a(PQKBTitleCode)TC0000536158 035 $a(PQKBWorkID)10546835 035 $a(PQKB)10564593 035 $a(MiAaPQ)EBC3420736 035 $a(DE-B1597)486061 035 $a(OCoLC)1024045393 035 $a(DE-B1597)9780300178357 035 $a(Au-PeEL)EBL3420736 035 $a(CaPaEBR)ebr10502587 035 $a(OCoLC)923596619 035 $a(EXLCZ)992550000000056872 100 $a20110408d2011 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aElizabeth and Hazel $etwo women of Little Rock /$fDavid Margolick 205 $a1st ed. 210 $aNew Haven $cYale University Press$dc2011 215 $a1 online resource (321 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-300-14193-9 320 $aIncludes bibliographical references and index. 327 $tFrontmatter -- $tContents -- $tElizabeth And Hazel -- $tPrologue: Two Dresses -- $tOne -- $tTwo -- $tThree -- $tFour -- $tFive -- $tSix -- $tSeven -- $tEight -- $tNine -- $tTen -- $tEleven -- $tTwelve -- $tThirteen -- $tFourteen -- $tFifteen -- $tSixteen -- $tSeventeen -- $tEighteen -- $tNineteen -- $tTwenty -- $tTwenty-One -- $tTwenty-Two -- $tTwenty-Three -- $tTwenty-Four -- $tTwenty-Five -- $tTwenty-Six -- $tTwenty-Seven -- $tTwenty-Eight -- $tTwenty-Nine -- $tThirty -- $tThirty-One -- $tThirty-Two -- $tThirty-Three -- $tThirty-Four -- $tThirty-Five -- $tThirty-Six -- $tThirty-Seven -- $tThirty-Eight -- $tThirty-Nine -- $tForty -- $tForty-One -- $tForty-Two -- $tForty-Three -- $tNotes -- $tAcknowledgments -- $tIndex 330 $aThe names Elizabeth Eckford and Hazel Bryan Massery may not be well known, but the image of them from September 1957 surely is: a black high school girl, dressed in white, walking stoically in front of Little Rock Central High School, and a white girl standing directly behind her, face twisted in hate, screaming racial epithets. This famous photograph captures the full anguish of desegregation-in Little Rock and throughout the South-and an epic moment in the civil rights movement.In this gripping book, David Margolick tells the remarkable story of two separate lives unexpectedly braided together. He explores how the haunting picture of Elizabeth and Hazel came to be taken, its significance in the wider world, and why, for the next half-century, neither woman has ever escaped from its long shadow. He recounts Elizabeth's struggle to overcome the trauma of her hate-filled school experience, and Hazel's long efforts to atone for a fateful, horrible mistake. The book follows the painful journey of the two as they progress from apology to forgiveness to reconciliation and, amazingly, to friendship. This friendship foundered, then collapsed-perhaps inevitably-over the same fissures and misunderstandings that continue to permeate American race relations more than half a century after the unforgettable photograph at Little Rock. And yet, as Margolick explains, a bond between Elizabeth and Hazel, silent but complex, endures. 606 $aSchool integration$zArkansas$zLittle Rock$xHistory$y20th century 606 $aInterracial friendship$zArkansas$zLittle Rock 607 $aLittle Rock (Ark.)$xRace relations$xHistory$y20th century 607 $aLittle Rock (Ark.)$vBiography 615 0$aSchool integration$xHistory 615 0$aInterracial friendship 676 $a379.2/63 700 $aMargolick$b David$01114134 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910807662803321 996 $aElizabeth and Hazel$92640591 997 $aUNINA