LEADER 03812nam 2200637 450 001 9910807607003321 005 20200520144314.0 010 $a0-8131-5939-3 035 $a(CKB)3710000000334064 035 $a(EBL)1915217 035 $a(SSID)ssj0001434434 035 $a(PQKBManifestationID)11754830 035 $a(PQKBTitleCode)TC0001434434 035 $a(PQKBWorkID)11421303 035 $a(PQKB)11770846 035 $a(OCoLC)645848064 035 $a(MdBmJHUP)muse44095 035 $a(Au-PeEL)EBL1915217 035 $a(CaPaEBR)ebr11007529 035 $a(CaONFJC)MIL691046 035 $a(OCoLC)900344597 035 $a(MiAaPQ)EBC1915217 035 $a(EXLCZ)993710000000334064 100 $a20150128h19971997 uy 0 101 0 $aeng 135 $aur|||||||nn|n 181 $ctxt 182 $cc 183 $acr 200 00$aJoyce/Lowry $ecritical perspectives /$fPatrick A. McCarthy and Paul Tiessen, editors ; contributors, Chris Ackerley [and eleven others] 210 1$aLexington, Kentucky :$cThe University Press of Kentucky,$d1997. 210 4$dİ1997 215 $a1 online resource (220 p.) 300 $aDescription based upon print version of record. 311 $a1-322-59764-2 311 $a0-8131-2002-0 320 $aIncludes bibliographical references at the end of each chapters and index. 327 $aCover; Half-title; Title; Copyright; Contents; Acknowledgments; A Note on References; Introduction; 1 Midsummer Madness and the Day of the Dead: Joyce, Lowry, and Expressionism ; DISTANT VOICES; Notes; Works Cited; 2 Clown Meets Cops: Comedy and Paranoia in Under the Volcano and Ulysses ; Works Cited; 3 ""Well, of course, if we knew all the things"": Coincidence and Design in Ulysses and Under the Volcano ; Notes; Works Cited; 4 Ulysses and Under the Volcano: The Difficulty of Loving ; Notes; Works Cited; 5 Nationalism at the Bar: Anti-Semitism in Ulysses and Under the Volcano ; Notes 327 $aUntitled 6 The Construction of Femininity in Ulysses and Under the Volcano: A Bakhtinian Analysis of the Late Draft Versions ; Notes; Works Cited; 7 A Portrait of the Artist as a Young Man and Ultramarine: Two Exercises in Identification ; Notes; Works Cited; 8 Syphilisation and Its Discontents: Somatic Indications of Psychological Ills in Joyce and Lowry; The Body as Literal Figure; The Body as Rhetorical Figure; Notes; Works Cited; 9 The World as Book, the Book as Machine: Art and Life in Joyce and Lowry; Works Cited; 10 Literary Modernism and Cinema: Two Approaches; Works Cited 327 $a11 The Filmmaker as Critic: Huston's Under the Volcano and The Dead Huston's Films; Filming Joyce; Filming Lowry; Works Cited; Contributors; Index 330 $aWhile James Joyce was a central figure of high modernism, Malcom Lowry spoke for the next generation of modernist writers and, despite his denials, was almost certainly influenced by Joyce. Wherever the truth lies, there are correspondences and differences to be explored between Joyce and Lowry that are far more interesting than the question of direct influence. Despite numerous differences, their works have much in common: verbal richness, experimentation with narrative structure and perspective, a fascination with cultural and historical forces as well as with the process of artistic creatio 606 $aModernism (Literature)$zEngland 606 $aModernism (Literature)$zIreland 615 0$aModernism (Literature) 615 0$aModernism (Literature) 676 $a823/.912 702 $aMcCarthy$b Patrick A.$f1945- 702 $aTiessen$b Paul 702 $aAckerley$b Chris 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910807607003321 996 $aJoyce$92783788 997 $aUNINA