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200 10$aTexture $ea cognitive aesthetics of reading /$fPeter Stockwell
210  1$aEdinburgh :$cEdinburgh University Press,$d2009.
210  4$a©2009
215   $a1 online resource (viii, 216 pages) $cillustrations
300   $aDescription based upon print version of record.
311 0 $a0-7486-2581-X 
320   $aIncludes bibliographical references ([193]-211) and index.
327   $aCOVER; Copyright; Contents; Acknowledgements; 1 Text, Textuality and Texture; 2 Resonance and Intensity; 3 Sensation and Empathy; 4 Voice and Mind; 5 Identification and Resistance; 6 Texture and Meaning; References; Index
330   $aTexture represents the latest advance in cognitive poetics. This book builds feeling and embodied experience on to the insights into meaningfulness which the cognitive approach to literature has achieved in recent years. Taking key familiar concepts such as characterisation, tone, empathy, and identification, the book aims to describe the natural experience of literary reading in a thorough and principled way. Accessibly and informatively written, Texture draws on stylistics, psycholinguistics, critical theory and neurology to explore the nature of reading verbal art.
606   $aAesthetics
606   $aCognitive grammar
606   $aCriticism$y21st century
606   $aLiterature$xHistory and criticism
606   $aPoetics$xPsychological aspects
615  0$aAesthetics.
615  0$aCognitive grammar.
615  0$aCriticism
615  0$aLiterature$xHistory and criticism.
615  0$aPoetics$xPsychological aspects.
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200 1 $aˆThe ‰criminology theory$eselected classic readings$fFrank P. Williams, Marilyn D. McShane
210   $aCincinnati$cAnderson$d1993
215   $a317 p.$d23 cm.
517  1$3VAN00078886$aCriminology
606   $aCriminologia$3VANC000685$2FI
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950   $aBIBLIOTECA DEL DIPARTIMENTO DI GIURISPRUDENZA$d00CONS      II.D.25                             $e00   5781              20041223            
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