LEADER 03870nam 2200493 450 001 9910807365403321 005 20230627112940.0 010 $a1-78683-875-3 035 $a(MiAaPQ)EBC7018333 035 $a(Au-PeEL)EBL7018333 035 $a(CKB)23843319200041 035 $aEBL7018333 035 $a(AU-PeEL)EBL7018333 035 $a(EXLCZ)9923843319200041 100 $a20230627d2022 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aCurating and the legacies of colonialism in contemporary iberia /$fedited by Carlos Garrido Castellano and Bruno Leita?o 205 $a1st ed. 210 1$aCardiff, England :$cUniversity of Wales Press,$d[2022] 210 4$d©2022 215 $a1 online resource (247 pages) 225 1 $aIberian and Latin American studies 300 $aDescription based upon print version of record. 311 08$aPrint version: Garrido Castellano, Carlos Curating and the Legacies of Colonialism in Contemporary Iberia Cardiff : University of Wales Press,c2022 327 $aCover -- Title -- Copyright -- Contents -- Series Editors' Foreword -- Acknowledgements -- List of Contributors -- List of Illustrations -- Introduction: Fictions of Cosmopolitanism, Spectacles of Alterity. Curating and the (Un)Making of Coloniality in Contemporary Iberia -- Part I: Displaying Coloniality -- 1 Remapping Disciplines, Displaying Possibilities: A Curatorial Studies-Based Approach to Iberian Studies -- 2 Curatorial Displacements in Spain before and after the 2000s: Coloniality Tricks, Exhibition Eclipses and Critical Agencies -- 3 The Exhibition as Representation Strategy for Cultural Diversity: Barcelona, 1992-2011 -- 4 Displaying Postcolonial Spain: A Conversation between Juan Guardiola and Carlos Garrido Castellano -- 5 Discourses of the Common Public Space: Identity, Memory and History in the Exhibitions of Autonomous Galicia -- 6 Curating Equatorial Guinea: Narratives of Spanish Colonialism in Central Africa as Told through Exhibitions -- Part II: Curating beyond Exhibition-Making -- 7 What's Someone Like You Doing in a Place Like This? Curatorial Processes, Ethno-Racial Agency and Coloniality in the Spanish State -- 8 Négritude: Approximations of a Century of Artistic Relations between the Canary Islands and Africa -- 9 Visible Matters: A Short Exchange between Elvira Dyangani Ose and Carlos Garrido Castellano -- 10 The Gulbenkian Foundation's Próximo Futuro Programme and the Challenges of Curating Difference -- 11 Documenting Postcolonial Curating: Thoughts on Buala One Decade On -- Part III: Interventions -- 12 Rumours, Representations, Revolutions -- 13 Between False Steps and Postcolonial/Decolonial Recompositions in Progress: The Museum of Ethnology and World Cultures in Barcelona -- 14 ARTifariti: An Artistic, Political and Committed Encounter with the Sahrawi People. 327 $a15 Geopolitical Shifts and Diasporic Struggles in Former Metropolitan Territories -- 16 Angolan Art: A Conversation on Curating, Archives, Coloniality and Diaspora -- 17 Insurgent Aesthetics: Creole Rap from the Outskirts of Lisbon -- Notes. 330 $aCurating and the Legacies of Colonialism in Contemporary Iberia redefines Iberian and curatorial Studies by situating curatorial practice at the centre of the configuration of modern, postcolonial societies in the Iberian context. 410 0$aIberian and Latin American studies. 606 $aArt 615 0$aArt. 676 $a060 702 $aGarrido Castellano$b Carlos 702 $aLeita?o$b Bruno 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910807365403321 996 $aCurating and the legacies of colonialism in contemporary iberia$93977683 997 $aUNINA