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100   $a20060612d2006      by         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aGreek sculpture $eits spirit and its principles /$fEdmund von Mach
205   $a1st ed.
210   $aNew York $cParkstone$d2006
215   $a1 online resource (256 p.)
225  0$aTemporis collection
300   $aDescription based upon print version of record.
311   $a1-85995-041-8 
320   $aIncludes bibliographical references and index.
327   $aINTRODUCTION; FUNDAMENTAL CONSIDERATIONS; ART CONDITIONS BEFORE THE 7thCENTURY B.C. AND EARLY IGNORANCE; EARLY GREEK SCULPTURE; TRANSITIONAL PERIOD; THE PARTHENON; THE GREEK IDEAL; AUTUMN DAYS; NOTES; BIBLIOGRAPHY; LIST OF ILLUSTRATIONS
330   $aGreek Sculpture is probably the most well known aspect of Greek art, for a contemporary it expresses the most beautiful ideal and plastic perfection.  It is the first of the Ancient Arts that looked to free itself from the imitative constraints, of the faithful representation of nature.  Only a small part of the production of Greek Sculpture is known to us.  Many of the masterpieces described by Antique literature are henceforth lost or badly damaged, and a large part, we know are copies, more or less skillful and faithful to the Roman era.  Many have been restored by Western Sculptors, from t
410  0$aTemporis
606   $aSculpture, Greek
606   $aSculptors$zGreece
615  0$aSculpture, Greek.
615  0$aSculptors
676   $a722.8
700   $aMach$b Edmund von$f1870-1927.$01693684
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910807226803321
996   $aGreek sculpture$94071667
997   $aUNINA