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135   $aur|n|---|||||
181   $ctxt
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183   $acr
200 10$aDesire and pleasure in seventeenth-century music$b[electronic resource] /$fSusan McClary
205   $a1st ed.
210   $aBerkeley $cUniversity of California Press$dc2012
215   $a1 online resource (356 p.)
300   $aDescription based upon print version of record.
311   $a0-520-24734-5 
320   $aIncludes bibliographical references and index.
327   $tFrontmatter -- $tContents -- $tAcknowledgments -- $tPrelude: The Music of Pleasure and Desire -- $tPart I. The Hydraulics of Musical Desire -- $tPart II. Gendering Voice -- $tPart III. Divine Love -- $tPart IV. Dancing Bodies -- $tPart V. La Mode Française -- $tPostlude: Toward Consolidation -- $tNotes -- $tIndex
330   $aIn this book, Susan McClary examines the mechanisms through which seventeenth-century musicians simulated extreme affective states-desire, divine rapture, and ecstatic pleasure. She demonstrates how every major genre of the period, from opera to religious music to instrumental pieces based on dances, was part of this striving for heightened passions by performers and listeners. While she analyzes the social and historical reasons for the high value placed on expressive intensity in both secular and sacred music, and she also links desire and pleasure to the many technical innovations of the period. McClary shows how musicians-whether working within the contexts of the Reformation or Counter-Reformation, Absolutists courts or commercial enterprises in Venice-were able to manipulate known procedures to produce radically new ways of experiencing time and the Self.
606   $aMusic$y17th century$xHistory and criticism
606   $aMusical criticism
610   $a17th century musicians.
610   $aamarilli.
610   $aarias.
610   $abach.
610   $abeethoven.
610   $abeethovens fifth.
610   $aclassical composers.
610   $aclassical music history.
610   $aclevelandclassical.
610   $aenlightening insights on music.
610   $ahistory of music composers.
610   $ahistory of music.
610   $ahistory of opera.
610   $ahow to write music.
610   $alearning to play music.
610   $aleisure reads.
610   $amaster piece music.
610   $amusical history.
610   $amusicians.
610   $amusicology.
610   $aode to joy.
610   $aopera and sex.
610   $areligion.
610   $arenaissance era.
610   $asavant composers.
610   $asex and music.
610   $asex.
610   $asocial and historical music.
610   $atimeless music.
610   $avacation reads.
615  0$aMusic$xHistory and criticism.
615  0$aMusical criticism.
676   $a780.9/032
700   $aMcClary$b Susan$01005722
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906   $aBOOK
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996   $aDesire and pleasure in seventeenth-century music$94087062
997   $aUNINA