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181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aMusic for a mixed taste$b[electronic resource] $estyle, genre, and meaning in Telemann's instrumental works /$fSteven Zohn
205   $a1st ed.
210   $aNew York $cOxford University Press$d2008
215   $axxxiv, 686 p. $cill
320   $aIncludes bibliographical references (p. 615-658) and index.
327   $aThe overture-suites -- The concertos -- The sonatas -- The Hamburg publications.
330   $aThis first full-length study of Telemann's concertos, sonatas, and suites focuses on his imaginative mixing of styles and genres. Special attention is also devoted to the extra musical meanings and humor of his programmatic overture-suites, his unprecedented self-publishing enterprise, and the social resonances of his Polish-style works.
606   $aInstrumental music$y18th century$xHistory and criticism
615  0$aInstrumental music$xHistory and criticism.
676   $a784.092
700   $aZohn$b Steven David$f1966-$01626247
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910807106203321
996   $aMusic for a mixed taste$93962163
997   $aUNINA