LEADER 03115nam 2200565Ia 450 001 9910807090803321 005 20200520144314.0 010 $a1-299-44424-5 010 $a1-4617-3957-8 035 $a(CKB)2550000001018400 035 $a(EBL)1163737 035 $a(SSID)ssj0000907201 035 $a(PQKBManifestationID)12373059 035 $a(PQKBTitleCode)TC0000907201 035 $a(PQKBWorkID)10857545 035 $a(PQKB)10848394 035 $a(MiAaPQ)EBC1163737 035 $a(Au-PeEL)EBL1163737 035 $a(CaPaEBR)ebr10685962 035 $a(CaONFJC)MIL475674 035 $a(OCoLC)839304264 035 $a(EXLCZ)992550000001018400 100 $a20120112d2011 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aGone with the glory$b[electronic resource] $ethe Civil War in cinema /$fBrian Steel Wills 210 $aLanham, MD $cRowman & Littlefield $cDistributed by National Book Network$dc2011 215 $a1 online resource (257 p.) 300 $aDescription based upon print version of record. 311 $a0-7425-4526-1 320 $aIncludes bibliographical references (p. 215-225) and index. 320 $aIncludes filmography: p. 187-192. 327 $aCover; Title Page; Copyright Page; Dedication Page; Table of Contents; Photographs; Acknowledgments; Introduction: Hollywood's Civil War; Chapter 1: The Birth of Civil War Cinema; Chapter 2: Victory Rode the Rails; Chapter 3: The Romantic Era of Civil War Cinema; Chapter 4: The House Divided; Chapter 5: The Personal War; Chapter 6: A War without Boundaries; Chapter 7: The West's Civil War; Chapter 8: Shiloh's Bloody Harvest; Chapter 9: Confederates Raid Vermont; Chapter 10: The Music Teacher Raids Mississippi; Chapter 11: A Stomach for War; Chapter 12: Enough Glory for All 327 $aChapter 13: The Angels of GettysburgChapter 14: The Plight of the Prisoners of War; Chapter 15: The War and the Waves; Epilogue: Screening the "Real War"; Appendix A: Filmography; Appendix B: Actors who Wore the Blue; Appendix C: Actors who Wore the Gray; Appendix D: The Best and Worst of Civil War Cinema; Notes; Bibliography; Index; About the Author 330 $aFrom Birth of a Nation to Cold Mountain, Hollywood has used the Civil War to create compelling cinema with each generation resolving the tug of war between entertainment value and historical accuracy differently. Wills looks at the portrayal of the war in film, explores their accuracy, how the films influenced each other, and how they reflect America's changing understandings of the conflict and of the nation. 606 $aWar films$zUnited States$xHistory and criticism 607 $aUnited States$xHistory$yCivil War, 1861-1865$xMotion pictures and the war 615 0$aWar films$xHistory and criticism. 676 $a791.43658 700 $aWills$b Brian Steel$f1959-$01650587 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910807090803321 996 $aGone with the glory$94116273 997 $aUNINA