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010   $a9786611995447
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035   $a(OCoLC)944177563
035   $a(DE-B1597)9781442680012
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035   $a(CaPaEBR)ebr11257654
035   $a(OCoLC)244768767
035   $a(VaAlCD)20.500.12592/9wnqpd
035   $a(schport)gibson_crkn/2009-12-01/7/420832
035   $a(MiAaPQ)EBC4671966
035   $a(OCoLC)1386704464
035   $a(MdBmJHUP)musev2_105237
035   $a(MiAaPQ)EBC3255343
035   $a(EXLCZ)992420000000004365
100   $a20160922h19981998  uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aSo close to the State/s $ethe emergence of Canadian feature film policy /$fMichael Dorland
210  1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d1998.
210  4$dİ1998
215   $a1 online resource (212 p.)
225 0 $aHeritage
300   $aDescription based upon print version of record.
311   $a0-8020-8043-X 
320   $aIncludes bibliographical references and index.
327   $g1.$tProblems of Writing Canadian Film History --$g2.$tThe Canadian State and the Problem of Knowledge Formation --$g3.$tA New Policy Field, Television, and Changing Production Practices --$g4.$tReconfiguring the Public Sphere --$g5.$tDiscoursing on Cinema within the State --$g6.$tFilmmakers, Critics, and the Problem of the Critical Voice --$g7.$tDiscoursing about Canadian Cinema.
330 1 $a"This book examines in detail the formation of Canadian feature film policy from the 1950s to the present. It pays special attention to the role played by producers, filmmakers, and government agencies in relation to the changing production practices brought about by Canadian television."--Jacket.
606   $aMotion picture industry$xGovernment policy$zCanada
607   $aKanada$2gnd
607   $aCanada$2fast
608   $aElectronic books. 
615  0$aMotion picture industry$xGovernment policy
676   $a791.43/0971
700   $aDorland$b Michael$01648527
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910806943703321
996   $aSo close to the State$94089302
997   $aUNINA