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101 0 $aeng
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181   $ctxt
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183   $acr
200 14$aThe culture of history$b[electronic resource] $eEnglish uses of the past, 1800-1953 /$fBillie Melman
210   $aOxford ;$aNew York $cOxford University Press$d2006
215   $a1 online resource (378 p.)
300   $aDescription based upon print version of record.
311   $a0-19-929688-X 
320   $aIncludes bibliographical references (p. [331]-354) and index.
327   $aAcknowledgements; Contents; List of Illustrations; Abbreviations; Introduction; PART I. THE FRENCH CONNECTION: HISTORY AND CULTURE AFTER THE REVOLUTION; PART II. HISTORY AS A DUNGEON: TUDOR REVIVALS AND URBAN CULTURE; PART III. ELIZABETHAN REVIVALS, CONSUMPTION, AND MASS DEMOCRACY IN THE MODERN CENTURY; PART IV. HISTORY AND GLAMOUR: THE FRENCH REVOLUTION AND MODERN LIVING, 1900-1940; PART V. NEW ELIZABETHANS? POST-WAR CULTURE AND FAILED HISTORIES; Conclusion; Bibliography; Index
330   $aBillie Melman takes us on a panoramic voyage of the 'culture of history' which developed in England after the French Revolution. She vividly recovers unexplored aspects of popular history, and unpicks notions of the uncosy past, a place of pleasurable horror and sensationalism, which survived into the 1950's. - ;In this original and widely researched book, Billie Melman explores the culture of history during the age of modernity. Her book is about the production of English pasts, the multiplicity of their representations and the myriad ways in which the English looked at history (sometimes in
606   $aPopular culture$zGreat Britain$xHistoriography
606   $aHistory in art
606   $aHistory in literature
606   $aHistory in mass media
607   $aGreat Britain$xHistoriography
607   $aFrance$xHistory$yRevolution, 1789-1799$xHistoriography
615  0$aPopular culture$xHistoriography.
615  0$aHistory in art.
615  0$aHistory in literature.
615  0$aHistory in mass media.
676   $a942.0072
700   $aMelman$b Billie$0550316
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906   $aBOOK
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996   $aThe culture of history$94011127
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