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101 0 $aeng
135   $aur|||||||||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 10$aBeethoven, the Moonlight and other sonatas, op. 27 and op. 31 /$fTimothy Jones
205   $a1st ed.
210   $aCambridge, UK ;$aNew York $cCambridge University Press$d1999
215   $a1 online resource (xii, 146 pages) $cdigital, PDF file(s)
225 1 $aCambridge music handbooks
300   $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015).
311   $a0-521-59859-1 
311   $a0-521-59136-8 
320   $aIncludes bibliographical references (p. ) and index.
327   $aPreliminaries; Contents; Preface; Acknowledgements; 1 Keyboard culture; 2 Beethoven in 1800 -1802; 3 Composition and reception; 4 Quasi una fantasia?; 5 The design of the Op. 27 sonatas; 6 The design of the Op. 31 sonatas; Notes; Select bibliography; Index
330   $aEven in Beethoven's day the 'Moonlight' Sonata was a popular favourite. This 1999 book provides an accessible introduction to the Sonatas Opp. 27 and 31 (including The 'Moonlight' and 'The Tempest'), aimed at pianists, students, and music lovers. It begins with the works' historical background - the emergence of a 'piano culture' at the end of the eighteenth century, Beethoven's aristocratic milieu in Vienna, and his oft-quoted intention to follow a new compositional path. An account of the sonatas' genesis is followed by a discussion of their reception history, including a survey of changing performing styles since the mid-nineteenth century. The concept of the Sonata quasi una Fantasia is examined in relation to the cult of artistic sensibility in early-nineteenth-century Vienna. The study concludes with a critical introduction to each sonata.
410  0$aCambridge music handbooks.
606   $aSonatas (Piano)$xAnalysis, appreciation
615  0$aSonatas (Piano)$xAnalysis, appreciation.
676   $a786.2/183
700   $aJones$b Timothy$cDr.$0791930
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910806894603321
996   $aBeethoven, the Moonlight and other sonatas, op. 27 and op. 31$91770692
997   $aUNINA