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100   $a20131216d2012||||  u||         |
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aWatching War
205   $a1st ed.
210   $aPalo Alto $cStanford University Press$d2012
215   $a1 online resource (258 p.)
300   $aDescription based upon print version of record.
311   $a0-8047-8239-3 
327   $aContents; List of Illustrations; Acknowledgments; Introduction: Watching War; 1. How to Tell a War Story; 2. The Witness Under Fire; 3. Looking at the Dead; 4. Visions of Total War; Conclusion: Old Wars, New Wars; Notes
330   $aWhat does it mean to be a spectator to war in an era when the boundaries between witnessing and perpetrating violence have become profoundly blurred? Arguing that the contemporary dynamics of military spectatorship took shape in Napoleonic Europe, Watching War explores the status of warfare as a spectacle unfolding before a mass audience. By showing that the battlefield was a virtual phenomenon long before the invention of photography, film, or the Internet, this book proposes that the unique character of modern conflicts has been a product of imaginary as much as material forces.<
606   $aMass media -- Audiences
606   $aWar in literature
606   $aWar in mass media
606   $aWar in literature$xAudiences
606   $aWar in mass media
606   $aMass media
606   $aLanguages & Literatures$2HILCC
606   $aLiterature - General$2HILCC
615  4$aMass media -- Audiences.
615  4$aWar in literature.
615  4$aWar in mass media.
615  0$aWar in literature$xAudiences
615  0$aWar in mass media
615  0$aMass media
615  7$aLanguages & Literatures
615  7$aLiterature - General
676   $a303.6/609
676   $a303.66
700   $aMieszkowski$b Jan$01612356
801  0$bAU-PeEL
801  1$bAU-PeEL
801  2$bAU-PeEL
906   $aBOOK
912   $a9910806859503321
996   $aWatching War$93941106
997   $aUNINA