LEADER 03536oam 2200517I 450 001 9910806855203321 005 20230814215833.0 010 $a1-315-30486-4 010 $a1-315-30487-2 010 $a1-315-30485-6 024 7 $a10.4324/9781315304878 035 $a(CKB)4340000000265961 035 $a(MiAaPQ)EBC5352840 035 $a(OCoLC)1027759326 035 $a(EXLCZ)994340000000265961 100 $a20180706d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aBaronial Patronage of Music in Early Modern Rome /$fValerio Morucci 205 $aFirst edition. 210 1$aLondon :$cTaylor and Francis,$d2018. 215 $a1 online resource (168 pages) 311 $a1-138-23533-4 320 $aIncludes bibliographical references and index. 327 $tchapter Introduction /$r Valerio Morucci -- $tchapter 1 L?Orsa e la Colonna -- $tThe patronage of Felice Orsini and Marco Antonio II Colonna /$r Valerio Morucci -- $tchapter 2 Paolo Giordano I Orsini as patron of music /$r Valerio Morucci -- $tchapter 3 Il refugio delle muse -- $tPoetry and music at the court of Virginio Orsini, second Duke of Bracciano /$r Valerio Morucci -- $tchapter 4 Gloriosa orsa latina -- $tThe patronage of Paolo Giordano II Orsini, third Duke of Bracciano /$r Valerio Morucci. 330 2 $a"This is the first dedicated study of the musical patronage of Roman baronial families in the sixteenth and early seventeenth centuries. Patronage the support of a person or institution and their work by a patron in Renaissance society was the basis of a complex network of familial and political relationships between clients and patrons, whose ideas, values, and norms of behavior were shared with the collective. Bringing to light new archival documentation, this book examines the intricate network of patronage interrelationships in Rome. Unlike other Italian cities where political control was monocentric and exercised by single rulers, sources of patronage in Rome comprised a multiplicity of courts and potential patrons, which included the pope, high prelates, nobles and foreign diplomats. Morucci uses archival records, and the correspondence of the Orsini and Colonna families in particular, to investigate the local activity and circulation of musicians and the cultivation of music within the broader civic network of Roman aristocratic families over the period. The author also shows that the familial union of the Medici and Orsini families established a bidirectional network for artistic exchange outside of the Eternal City, and that the Orsini-Colonna circle represented a musical bridge between Naples, Rome, and Florence."--Provided by publisher. 606 $aMusic and aristocracy$zItaly$zRome$xHistory$y16th century 606 $aMusic and aristocracy$zItaly$zRome$xHistory$y17th century 606 $aMusic patronage$zItaly$zRome$xHistory$y16th century 606 $aMusic patronage$zItaly$zRome$xHistory$y17th century 607 $aEurope$xHistory 615 0$aMusic and aristocracy$xHistory 615 0$aMusic and aristocracy$xHistory 615 0$aMusic patronage$xHistory 615 0$aMusic patronage$xHistory 676 $a780.79/45632 700 $aMorucci$b Valerio$01612328 801 0$bFlBoTFG 801 1$bFlBoTFG 906 $aBOOK 912 $a9910806855203321 996 $aBaronial Patronage of Music in Early Modern Rome$93941065 997 $aUNINA